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biography resume 1964 M.A. in Photojournalism, Annenberg School for Communication, University of Pennsylvania, Philadelphia, Pennsylvania. Writing. 1992 Honorary Degree, Doctorate of fiction online, Fine Arts, University of thesis, Arts, Philadelphia, Pennsylvania. 1994 Honorary Degree, Doctorate of Fine Arts, University of Pennsylvania, Philadelphia, Pennsylvania. Futility War Essay. 2001 Honorary Degree, Doctorate of writing, Fine Arts, Center for Creative Studies, Detroit, Michigan. 2004 Honorary Degree, Doctorate of show format of an, Arts, Columbia College, Chicago, Illinois.

2004 Honorary Degree, Doctorate of thesis writing, Fine Arts, Kenyon College, Gambier, Ohio. 1975 U.S.I.A. Grant to lecture and futility war essay exhibit in thesis writing, Yugoslavia. 1977 National Endowment for the Arts. Essays Online. 1977 New York State Council for the Arts: CAPS Grant. 1978 Commissioned Artist with the thesis writing, Bell System Photography Project. Concept. 1980 National Endowment for the Arts. Writing. 1990 National Endowment for the Arts. Science Essays. 1994 John Simon Guggenheim Fellowship.

1997 Erna and Victor Hasselblad Foundation Grant to continue to writing make pictures for the American book exhibition project. 2014 Bill and science fiction essays online Melinda Gates Foundation Grant for thesis writing, Tiny film programming. 1976-77 Ward 81, Gallery Forum, Stradpack, Graz, Austria. 1977 Ward 81, Santa Barbara Museum of Art, California. How To Prepare For Investors. 1977 Port Washington Library, Port Washington, New York. Writing. 1978 Ward 81, Castelli Graphics, New York, New York. 1978 Boise Gallery of Art, Idaho. Concept Paper Research Submit White. 1978 Photography Gallery, Yarra, Australia. 1979 Ward 81, Museum of Art, University of Oregon, Eugene, Oregon.

1979-80 Ward 81, Bars, Gallery Nagel, Berlin, Germany. Thesis. 1981 Falkland Road, Castelli Graphics, New York, New York. Fiction Essays. 1981 Falkland Road, Olympus Gallery, London, England. 1982 Falkland Road, Mary Porter, Seson Art Gallery, University of California, Santa Cruz, California. Writing. 1982 Falkland Road, California Museum of Photography, Riverside, California.

1982 Ward 81, Bars, Drew University, New Jersey. Supplemental. 1983 Gallery of Fine Arts, Daytona Beach Community College, Daytona Beach, Florida. 1983 Mother Teresa and writing Calcutta, Friends of Photography, Carmel, California. 1985 Mother Teresa and Calcutta, Allen Street Gallery, Dallas, Texas. 1986 Mother Teresa and Calcutta, Northlight Gallery, Tempe, Arizona.

1987 Mother Teresa and essays online Calcutta, Faculty Club Gallery, University of Pennsylvania, Philadelphia, Pennsylvania. 1987 Mary Ellen Mark: Photographs, University of Oklahoma, Museum of Art, Norman, Oklahoma. 1988 Portraits, Photography Gallery, Santa Monica College, Santa Monica, California. 1988 America, Pasadena Art Center, Pasadena, California. 1988 America, Brooks Art Institute, Santa Barbara, California. Thesis Writing. 1989 Portraits, Birmingham Museum of Art, Birmingham, Alabama.

1991 Portraits, California Museum of Photography, Riverside, California. 1991 Indian Circus: Platinum Prints, Castelli Graphics, New York, New York. 1992 Mary Ellen Mark: 25 Years, International Center for concept paper research, Photography, New York, New York. 1992 Indian Circus: Platinum Prints, Robert Koch Gallery, San Francisco, California. 1992 Indian Circus: Platinum Prints, Fahey Klein Gallery, Los Angeles, California. Thesis Writing. 1992 Indian Circus: Platinum Prints, Robert Klein Gallery, Boston, Massachusetts. 1992 Indian Circus: Platinum Prints, Richard Gray Gallery, Chicago, Illinois. 1992 Indian Circus: Platinum Prints, Bentler Morgan Gallery, Houston, Texas.

1992 Indian Circus: Platinum Prints, A Gallery for Fine Photography, New Orleans, Louisiana. 1992 Mary Ellen Mark: 25 Years, George Eastman House, Rochester, New York. 1992 Mary Ellen Mark: 25 Years, Museum of Photographic Art, San Diego, California. Science Fiction Online. 1992 Mary Ellen Mark: 25 Years, Chrysler Museum, Norfolk, Virginia. 1992 Mary Ellen Mark: 25 Years, Instituto de Estudios Norteamericanos, Barcelona, Spain. 1992 Mary Ellen Mark: 25 Years, Chicago Cultural Center, Chicago, Illinois. 1992 Mary Ellen Mark: 25 Years and thesis writing Indian Circus, Palais de Tokyo, Paris, France. 1993 Mary Ellen Mark: 25 Years, Seattle Art Museum, Seattle, Washington.

1993 Mary Ellen Mark: 25 Years, Museum of Photographic Arts, San Diego, California. Paper Research Submit. 1993 Mary Ellen Mark: 25 Years, Oliver Art Center, Oakland, California. Thesis. 1993 Mary Ellen Mark: 25 Years, Royal Society of Photography, Bath, England. 1993 Mary Ellen Mark: 25 Years, Bath, England; The Reykjavik Municipal Art Museum, Iceland. 1993 Mary Ellen Mark: 25 Years, Addison Gallery of American Art, Andover, Massachusetts. Concept Research. 1993 Mary Ellen Mark: 25 Years, Toledo Museum of Art, Toledo, Ohio. 1993 Mary Ellen Mark: Photographs, Parco Exposure Gallery, Tokyo, Japan. 1993 Mary Ellen Mark: Indian Circus: Platinum Prints, Honolulu Academy of thesis writing, Arts, Honolulu, Hawaii.

1993 Mary Ellen Mark: Indian Circus: Platinum Prints, Ogilvy and Mather, New York, New York. 1993 Mary Ellen Mark: America, Agatha Gaillard, Paris, France. College. 1994 Mary Ellen Mark: 25 Years, National Museum of Photography, Bradford, England, 1994 National Museum of Women in the Arts, Washington, D.C. 1995 Mary Ellen Mark: Indian Circus: Platinum Prints, Ogilvy and writing Mather, New York, New York. 1995 Mary Ellen Mark: Indian Circus: Platinum Prints, The Country Bazaar Gallery, Montauk, New York. 1996 The Master€™s Series: Mary Ellen Mark, School of research submit white, Visual Arts, New York, New York. 1996 Mary Ellen Mark: Thirty Years, Arthur Ross Gallery, University of Pennsylvania, Philadelphia, Pennsylvania. 1996 The Master's Series: Mary Ellen Mark, A Gallery of Fine Photography, New Orleans. Thesis Writing. 1996 The Master's Series: Mary Ellen Mark, Chromatics, Nashville, Tennessee. 1996 Mary Ellen Mark: Indian Circus: Platinum Prints, The Cleveland Museum of Art, Ohio. Essay Academic. 1997 Mary Ellen Mark: 25 Years, The Museum of Art, Fort Lauderdale, Florida.

1998 Mary Ellen Mark: 25 Years, Milan, Italy. 1998 Mary Ellen Mark: 25 Years, El Centro de la Imagen, Mexico City, Mexico. 1998 Mary Ellen Mark: 25 Years, Centro Fotografico Alvarez Bravo, Oaxaca, Mexico. Thesis. 1999 Tribute to Fellini, International Photomeeting, Republic of futility war essay, San Marino. 2000 Strange Moments, Howard Greenberg Gallery, New York, New York.

2000 Mary Ellen Mark: Photographs, Philadelphia Museum of Art, Philadelphia, Pennsylvania (review) 2000 Mary Ellen Mark: American Odyssey, Boras Museum of Art, Boras, Sweden. 2000 Mary Ellen Mark: American Odyssey, Fort Wayne Museum of thesis, Art, Fort Wayne, Indiana. 2000 Mary Ellen Mark: American Odyssey, Arbetets Museum, Norrkoping, Sweden. Me A. 2000 Mary Ellen Mark: American Odyssey, Fahey Klein Gallery, Los Angeles, California. 2000 Mary Ellen Mark: Photographs, Weinstein Gallery, Minneapolis, Minnesota. 2000 Mary Ellen Mark: 25 Years, Laumont Gallery, Phillips Exeter Academy, Exeter, New Hampshire. Thesis Writing. 2000-2001 Mary Ellen Mark: American Odyssey, Kulturhuset, Stockholm, Sweden. 2001 Mary Ellen Mark: American Odyssey, Landskrona Museum, Landskrona, Sweden.

2001 Mary Ellen Mark: American Odyssey, International Center of essay writing topics, Photography, New York, NY. Thesis Writing. 2001 Mary Ellen Mark: American Odyssey, The National Museum of Photography, Copenhagen, Denmark. 2001 Mary Ellen Mark: American Odyssey, Minnesota Museum of American Art, Minneapolis, Minnesota. 2002 Mary Ellen Mark: Photographs, Leica Gallery, Prague Castle, Prague, Czech Republic. 2002 Mary Ellen Mark: American Odyssey, The National Museum of Photography, Horten, Norway. Essay Writing Topics. 2002 Mary Ellen Mark: American Odyssey, Reykjavik Museum of thesis, Photography, Reykjavik, Iceland. 2002 Mary Ellen Mark: American Odyssey, Bilden Hus, Sundsvall, Sweden. 2002 Mary Ellen Mark Photographs, Fait Cause, Paris, France.

2002-2003 Mary Ellen Mark: American Odyssey, Orebro Konsthall, Orebro, Sweden. 2003 Mary Ellen Mark American Odyssey, Photoforum PasquArt, Bienne, Switzerland. 2003 Mary Ellen Mark American Odyssey, Hasselblad Center, Goteborg, Sweden. 2003 Mary Ellen Mark American Odyssey, Sweet Briar College, Sweet Briar, Virginia. 2003 Twins, Marianne Boesky Gallery/Kennedy Boesky Photographs, New York, New York. Concept Research White. 2003 Mary Ellen Mark American Odyssey Twins, Carla Sozzani Gallery, Milan, Italy. 2004 Twins, Stadsgalleriet Halmstad, Sweden. 2004 Mary Ellen Mark American Odyssey, EFTI, Madrid, Spain. 2004 Twins, Galleri F15, Moss, Norway. 2004 Mary Ellen Mark American Odyssey, Center Circolo Fotografico Tina Modotti, Bolzano, Italy.

2004 American Odyssey Twins, Fotobienniale, Moscow. 2004 American Odyssey Twins, Manchester Art Gallery, Manchester, England. Thesis Writing. 2004 Twins, The Hague Museum of concept paper research, Photography, The Hague, Netherlands. Thesis Writing. 2004 Twins Falkland Road, Columbia College, Chicago, Illinois. 2005 Falkland Road, Marianne Boesky Gallery, New York, New York. 2005 Falkland Road, Yancey Richardson Gallery, New York, New York. 2006 Falkland Road and Twins, Fahey Klein Gallery, Los Angeles, California. 2006 Mary Ellen Mark American Odyssey Twins, Salo Art Museum, Salo, Finland. Submit White. 2006-2007 Mary Ellen Mark American Odyssey Twins, Perspektivet Museum, Tromso, Norway.

2007 Extrardinary Child, National Museum of thesis, Iceland, Reyjkjavik, Iceland. College. 2007 Twins, Fahey Klein Gallery, Los Angeles, California. 2007 Mary Ellen Mark American Odyssey, Fotogalleriet, Kristiansand, Norway. Thesis. 2007 Ward 81, Stephen Bulger Gallery, Toronto, Canada. Concept Research. 2007 Mary Ellen Mark American Odyssey, Palazzo Guinigi, Lucca, Italy. Thesis. 2007-2008 Mary Ellen Mark American Odyssey, Fotogalleriet Format, Malmo, Sweden.

2007-2008 Ward 81 Note Cards Printing Notes, John McWhinnie @ Glenn Horowitz, New York, New York. 2008 Prom, Festival of the Photograph, Charlottesville, Virginia. 2008 Twins, Terhune Gallery, Owens Community College, Toledo, Ohio. Show Me A. 2008 Prom, Johnson Museum of writing, Art, Cornell University, Ithaca, New York. 2008 Extraordinary Child, Nordiska Museum, Stockholm, Sweden. 2008 Seen Behind the Scene, Fahey Klein Gallery, Los Angeles, California. 2008-2009 Seen Behind the show format of an, Scene, Staley-Wise Gallery, New York, New York. 2009 Indian Circus, Howard Greenberg Gallery, New York, New York. 2009 Extraordinary Child, Duke University Center for Documentary Studies, Durham, North Carolina. 2010 Disquieting Images, La Triennale di Milano, Milan, Italy.

2010-2012 Seen Behind the thesis writing, Scene, Fnac Spain, various locations. 2011 The Portrait as Document, SEE+ Art Space/Gallery, Beijing, China. 2011 Twins, Galleri Magnus Aklundh, Malmo, Sweden. Submit. 2011 Falkland Road, Indian Circus, and Ward 81, Blue Sky Gallery/Oregon Center for the Photographic Arts, Portland, Oregon. 2012 Prom, Philadelphia Museum of Art, Philadelphia, Pennsylvania. Thesis. 2012-2013 Prom, Janet Borden, Inc., New York, New York. 2013 Seen Behind the essay writing topics, Scene, Weinstein Gallery, Minneapolis, Minnesota. Thesis Writing. 2013 Leica: My First Camera, Leica Store, Los Angeles, California. 2013-2014 Mary Ellen Mark, Galerie Anne de Villepoix, Paris, France.

2013-2014 Celebrities, La Fabrica, Madrid, Spain. 2014 Leica: My First Camera, Leica Store, Washington, DC. 2014 Man and Beast, Wittliff Collections, Texas State University, San Marcos, TX. 2014 Mary Ellen Mark, Stills Gallery, Sydney, Australia. 2014 Frames of America, National Library of me a format essay, Latvia, Riga, Latvia. 2016 Attitude, Howard Greenberg Gallery, New York, NY. 2015 Tiny: Streetwise Revisited, Norton Museum of Art, West Palm Beach, FL. 2016 Tiny: Streetwise Revisited, The Seattle Public Library, Seattle, WA. 2017 Tiny: Streetwise Revisited, Suzanne H. Thesis. Arnold Art Gallery at Lebanon Valley College, Annville, PA. 1973 Photokina, Cologne.

1973 I.P.O.S.A., Traveling Exhibition. Me A Essay. 1975 Women of Photography: A Historical Survey, San Francisco Museum of Modern Art, San Francisco, California. Thesis Writing. 1975 Women Photographers, Neikrug Gallery, New York, New York. Paper Research Submit. 1975 U.S.I.A., European Traveling Exhibitions. 1975 Exhibit with Ralph Gibson, Photopia Gallery, Philadelphia, Pennsylvania. 1976 Women of thesis, Photography, Sidney Janis Gallery, New York, New York. 1977 Eight American Female Photographers, Iran-America Society Cultural Center, Tehran, Iran. 1977 Exhibit with Burk Uzzle, M.I.T. Harvard College Supplemental Essay. Creative Photography Library, Cambridge, Massachusetts. 1979 American Images, International Center of Photography, New York, New York. 1979 Portraits and Permanent Collection, Bibliotheque Nationale, Paris, France.

1980 Likely Stories, Castelli Graphics, New York, New York. Thesis Writing. 1980 American Images: New Work by Twenty Contemporary Photographers, International Center of Photography, New York, New York. 1981 Portraits, Klaus Honnef-Lichtbildniffe, Rheinschef Landes Museum, Bonn, Germany. 1981 Love is show me a format Blind, Castelli Graphics, New York, New York. 1981 Photography as Art, Joyce Strauss, Denver, Colorado. 1981 Points of View, University of Oklahoma, Norman, Oklahoma. 1981 Color As Form, History of thesis writing, Color Photography, Corcoran Gallery of of an essay, Art, Washington, D.C. 1982 Color As Form, History of writing, Color Photography, George Eastman House, Rochester, New York. 1982 The Photography Gallery, Castelli Graphics, New York, New York. 1982 Floods of futility, Light; Flash Photography 1851-1981, Castelli Graphics, New York, New York. 1982 American Photography Today, University of Colorado, Denver, Colorado.

1982 The Permanent Collection: A Selection of American Images, Minneapolis Institute of Arts, Minneapolis, Minnesota. 1983 Eaton Shoen Gallery, San Francisco, California. 1983 Phototypes: The Development of Photography in New York, Whitney Museum of American Art, New York, New York. 1985 Bars, Barbican Art Gallery, London, England. Thesis Writing. 1985 Mother Teresa, Munich Stradt Museum, Munich, Germany. Futility. 1985 Portraits, Castle Gallery, New Rochelle, New York. Thesis. 1985 Mother Teresa, Hillwood Art Gallery, Greenvale, New York.

1985 Faces, United Nations 40th Anniversary Photography Exhibit, Berkeley, California. 1985 NYC X 5, Bars, Eaton Shoen Gallery, San Francisco, California. 1986 Miami Beach, Walker Art Center, Minneapolis, Minnesota. 1986 Santa Barbara, Santa Barbara Contemporary Arts Forum, California. Concept Paper Research White. 1986 Miami Beach, Bass Museum of Art, Miami Beach, Florida. 1986 Miami Beach, Portland Museum of Art, Portland, Maine. 1986 Miami Beach, Menacham Goldmann Museum of the thesis, Jewish Diaspora, American Friends of academic writing, Beth Hatefutsoth/World Zionist Organization, Miami Beach, Florida. Writing. 1986 50 Years of paper submit white, Modern Color Photography, Photokina, Cologne, Germany. 1986 Mother Teresa, Catskill Center of Photography, Woodstock, New York. Writing. 1986 Public/Private, The Museum of Contemporary Photography, Columbia College, Chicago, Illinois.

1986 I'm Not Crazy, I Just Lost My Glasses, New Works Gallery, University of Illinois, Chicago, Illinois. Harvard College. 1986 The World: Conflict Caring, The Catskill Center for Photography, Woodstock, New York. 1986 Out of the Darkroom/Art of the thesis writing, Darkroom, Euphrate Gallery, Cupertino, California. 1986 Commitment to Vision, Oregon Gallery, University of Oregon, Eugene, Oregon. 1986 Palo Alto Cultural Center, Palo Alto, California. Concept Paper Research White. 1987 Photographers Who Make Films, The Catskill Center for Photography, Woodstock, New York. 1987 Inside Out: Ward 81, Gallery II at de Saisset Museum, Santa Clara, California. 1987 1974, Light Gallery, New York, New York. 1987 Twentieth Anniversary Exhibition: Part II, Friends of Photography, Carmel, California. Thesis. 1987 American Dreams, Centro Reina Sofia, Madrid, Spain. 1987 University of Colorado: Group Show, Boulder, Colorado.

1987 Ansel Adams and Friends, Scotsdale Center For The Arts, Scottsdale, Arizona. 1988 Legacy of Light, De Cordova and Dana Museum, Lincoln, Massachusetts. 1988 Selected Works, Castelli Graphics, New York, New York. 1988 Homeless In America, Corcoran Gallery of Art, Washington, D.C. 1988 Homeless In America, New York City Public Library, New York, New York. 1988 China, Recontres D'Arles, Arles, France. Fiction. 1988 The Instant Likeness, Polaroid Portraits, The National Portrait Gallery, Washington, D.C.

1988 Paris Opera, Association Pour Le Rayonnement De L'Opera De Paris, France. 1989 New Portraiture, Clarence Kennedy Gallery, Cambridge, Massachusetts. Thesis. 1989 Das Portrait in der Zeitgenossischen Photographie, Frankfurter Kunstverein, Frankfurt, Germany. 1989 Das Portrait in show format of an, der Zeitgenossischen Photographie, Kulturcentrum, Mainz, Germany. 1989 In Our Time: The World As Seen By Magnum Photographers, International Center of Photography, New York, New York. 1991 Imaging Illness, Albert Schweitzer Center, Great Barrington, Washington. 1991 Pictures of Peace, F.I.T.

Resource Center, New York, New York. 1992 Our Town, Aperture, New York, New York. 1993 Oklahoma Arts Institue, Quartz Mountain Lodge, Oklahoma City, Oklahoma. Thesis Writing. 1993 University of topics, Colorado: All Hallow's Eve, Boulder, Colorado. 1993 University of New Hampshire: Ward 81, Durham, New Hampshire. 1993 College of New Rochelle, Castle Gallery: Angels, An Endangered Species, New Rochelle, New York. Writing. 1993 Wings of Change, Directors' Guild of American, Los Angeles, California. 1994 Olgivy Mather, New York, New York. 1994 Visa Pour L'Image/Perpignan, Perpignan, France.

1994 Festival International de la Photo de Mode, Paris, France. 1994 Talking Pictures Traveling Exhibition ( New York City, San Francisco, Washington DC, Atlanta, Milwaukee, LA, Minneapolis, Nashville, Tucson, Baton Rouge) 1994 Magic of show format of an, Play, Giorgio Beverly Hills, California. 1994 . it's how you play the thesis, game., Exit Art, New York, New York. 1995 A Century Apart: Images of Struggle Spirit, Jacob Riis Five Contemporary Photographers, City Museum of New York, New York, NY. 1995 PDA Exhibit, Las Vegas, Nevada. Futility War Essay. 1995 Magic Moments - 40 Years of thesis writing, Leica M, Galerie Photo, Paris, France. 1995 Insight: Women's Photographs from the Collection, - George Eastman House, Rochester, New York. 1995 We Look and college See, Images of writing, Childhood in essay academic writing topics, Contemporary American Photography, University Art Museum, Berkeley, California.

1995 Magic of Play, Grand Central Station, New York, New York. 1995 Animal Attractions, Humane Society, New York, New York. 1995 100th Anniversary of Conde Nast Traveler, Danzinger Gallery, New York , New York. Writing. 1996 Beyond the Looking Glass, Contemporary Women Photographers, David Adamson Gallery, Washington, D.C. 1996 A History of Women Photographers, Akron Art Museum, Akron, Ohio. How To For Investors. 1996 Family Matters, Greg Kucera Gallery, Seattle, Washington. 1996 Howard Finster, Fay Gold Gallery, Atlanta, Georgia.

1996 Clinique's Future Beauty Houk Friedman Gallery, New York, New York. Thesis Writing. 1996 60th Anniversary of Life Magazine, The Newseum, New York, New York. 1997 Prostitution, Paul Kopeikin Gallery, Los Angeles, California. Science Fiction Essays. 1997 The Portrait/The Nude II, Fahey/Klein, Los Angeles, California. Writing. 1997 Objectif Corps, Musee des beaux-arts de Montreal, Montreal, Canada.

1997 India: A Celebration of harvard supplemental, Independence, 1947-1997, National Gallery of Modern Art, New Delhi, New Delhi, India. Thesis Writing. 1997 India: A Celebration of Independence, 1947-1997, National Gallery of of an essay, Modern Art, Mumbai, Mumbai, India. Thesis Writing. 1997 India: A Celebration of concept paper research white, Independence, 1947-1997, Philadelphia Museum of Art, Philadelphia, Pennsylvania. 1997 India: A Celebration of Independence, 1947-1997, Virginia Museum of Fine Arts, Richmond, Virginia. Thesis. 1997 India: A Celebration of Independence, 1947-1997, Indianapolis Museum of Art, Indianapolis, Indiana. 1997 Hope Photographs, MTA Arts for Transit Lightbox Project, on show format, display at Times Square Station, New York, New York. 1997 Defining Eye: Women Photographers of the thesis writing, 20th Century, The Saint Louis Art Museum St.

Louis, Missouri. A Business Plan For Investors. 1998 Before the Lens: Images of the Imagemakers, New Hampshire Institute of art, Manchester, New Hampshire. 1998, Before the Lens, Images of the thesis, Imagemakers, Boston University Art Gallery, Boston, Massachusetts. 1998 A Summer Wedding, Leica Gallery, New York, New York. 1998 Under/Exposed, Underground stations throughout Stockholm, Sweden. 1998 Pictures of Texas Monthly, 25 Years Lyndon Baines Johnson Library, Austin, Texas. 1998 The Underwhelming Tide, North Dakota Museum of Art, Grand Forks, North Dakota.

1998 India: A Celebration of Independence, 1947-1997, Victoria Memorial Museum, Calcutta, India. 1998 India: A Celebration of Independence, 1947-1997, Lalit Kala Akademi, Chennai, India. 1998 India: A Celebration of Independence, 1947-1997, Royal Festival Hall, London, England. 1998 India: A Celebration of Independence, 1947-1997, Palazzo Reale - Arengario Milan, Italy. 1998 India: A Celebration of Independence, 1947-1997, Knoxville Museum of Art, Knoxville, Tennessee. 1998 India: A Celebration of Independence, 1947-1997, Virginia Museum of white, Fine Arts, Richmond, Virginia. 1998 India: A Celebration of writing, Independence, 1947-1997, Indianapolis Museum of Art, Indianapolis, Indiana.

1998 Defining Eye: Women Photographers of the 20th Century, The Museum of harvard college, Fine Arts, Santa Fe, New Mexico. 1998 Defining Eye: Women Photographers of the 20th Century, The Mead Museum of thesis, Art, Amherst, Massachusetts. 1998 The Coincidence of the Arts, (Mario Testino, David Levinthal, and prepare plan for investors Francisco Toledo) Musee des Arts Decoratifs, Paris, France. Thesis. 1998 Holding Patterns: Selections from the Photography Collection of Arthur J. War Essay. Goodwin , San Jose Museum of Art, San Jose, California. Thesis. 1998-1999 Circus, Paul Kopeikin Gallery, Los Angeles, California.

1999 Before the Lens: Images of the concept research, Imagemakers, Queens Museum of Art, Queens, New York. 1999 Independent Visions: Women Photographers from the thesis writing, Collection, California Museum of science fiction essays online, Photography, Riverside, California. 1999 India: A Celebration of Independence, 1947-1997,The Montreal Museum of Fine Arts, Montreal, Quebec, Canada. 1999 India: A Celebration of Independence, 1947-1997, Chicago Cultureal Center, Chicago, Illinois. 1999 All Dressed In White: Bridal Traditions, Castle Gallery, New Rochelle, New York. Writing. 1999 Defining Eye: Women Photographers of the paper research submit, 20th Century, The George Eastman House, Rochester, New York. 1999 Defining Eye: Women Photographers of the 20th Century, The Brauer Museum at Valparaiso University, Valparaiso, Indiana. 1999 Defining Eye: Women Photographers of the thesis, 20th Century, The Wichita Art Museum, Wichita, Kansas. 1999 Defining Eye: Women Photographers of the 20th Century, UCLA Hammer Museum of fiction online, Art, Los Angeles, California.

1999 Masterminds of Mode: International Fashion Festival in Japan, Mitsukoshi Gallery at Nihonbashi Mitsukoshi, Japan. 1999 The Way Home: Ending Homelessness in America, Corcoran Gallery of Art, Washington, DC. Thesis Writing. 2000 Masterminds of Mode: International Fashion Festival in Japan, Mitsubishi-Jishi Atrium, Japan. How To Plan For Investors. 2000 Masterminds of Mode: International Fashion Festival in thesis, Japan, Kobe Fashion Museum, Japan. 2000 Keepers of the Wisdom, United Nations, New York, New York. 2000 Personae: Portraits from the futility war essay, Collection, The Museum of thesis, Contemporary Photography, Columbia College, Chicago, Illinois. 2000 India: A Celebration of paper research submit, Independence, 1947-1997 (selected images), the Consulate General of India, New York, New York. Thesis Writing. 2000 Picturing the Modern Amazon, The New Museum of Contemporary Art, New York, New York. 2000 In Black and futility war essay White: Photography, Stefan Stux Gallery, New York, New York. 2000 Looking Into the Collection: Faith, Center for Creative Photography, Tucson, Arizona. Thesis Writing. 2001 Red Hot Art, Red Gallery, Savannah College of Art and fiction online Design, Savannah, Georgia.

2001 Two Women, Weinstein Gallery, Minneapolis, Minnesota. 2001 In Response to Place, The Corcoran Gallery of Art, Washington, DC. 2002 In Response to Place, Utah Museum of Natural History, Salt Lake City, Utah. Writing. 2002 In Response to Place, The Houston Museum of Science, Houston, Texas. Show Me A Format Essay. 2002 In Response to writing Place, Bellevue Art Museum, Seattle, Washington. 2002 In Response to Place, High Museum of Art, Atlanta, Georgia. 2002 50th Anniversary, Aperture's Burden Gallery, New York, New York. 2002 New York: Capital of Photography, Jewish Museum, New York, New York. 2002 New York: Capital of essays, Photography, The Madison Art Center, Madison, Wisconsin. 2003 New York: Capital of Photography, Musee de L 'Elysee, Lausanne, Switzerland. 2003 New York: Capital of thesis writing, Photography, Joods Historisch Museum, Amsterdam, Netherlands.

2003 In Response to Place, The Field Museum, Chicago, Illinois. Futility. 2003 In Response to Place, Indianapolis Museum of thesis, Art, Indianapolis, Indiana. 2003 Game Face, Union Station, Kansas City, Missouri. 2003 Game Face, Chicago Historical Society, Chicago, Illinois. 2004 1970s Color Photography, Marianne Boesky Gallery, New York, New York.

2004 In Response to Place, Chicago Cultural Center, Chicago, Illinois. 2004 In Response to Place, Cincinnati Museum Center, Cincinatti, Ohio. 2004 In Response to futility war essay Place, Gibbes Museum of Art, Charleston, South Carolina. Writing. 2004 Game Face, Arvada Center for the Arts, Arvada, Colorado. 2004 Game Face, World Financial Center, New York, New York. 2004 Game Face, Fisher Gallery at research submit, USC, Los Angeles, California.

2004 Game Face, Jacksonville Museum of Modern Art, Jacksonville, Florida. 2005 In Response to Place, The Renaissance Center, Detroit, Michigan. 2005 In Response to Place, The Gallery at writing, Windsor, Vero Beach, Florida. 2005 In Response to essay topics Place, Boston Public Library, Boston, Massachusetts. Thesis. 2005 In Response to Place, Blue Star Contemporary Art Center, San Antonio, Texas. War Essay. 2005 In Response to Place, Academy Art Museum, Easton, Maryland. 2006 In Response to Place, The Bruce Museum, Greenwich, Connecticut.

2006 New York, New York, Grimaldi Forum, Monaco. 2007 New York, House of thesis writing, World Cultures, Berlin, Germany. 2007 Women by essay, Women: Artworks from the Permanent Collection Gallery, California Museum of Photography, Riverside, California. 2007 Prized Images: The Knight Purchase Award for Photographic Media 1991-2006, Akron Art Museum, Akron, Ohio. 2007-2008 New York, Queens Museum of Art, Queens, New York. 2008 Vanity Fair Portraits, National Portrait Gallery, London, England. 2008-2009 Vanity Fair Portraits, Los Angeles Count Museum of thesis writing, Art, Los Angeles, California. Essay Academic Writing Topics. 2008 Role Models, National Museum of writing, Women in the Arts, Washington, DC.

2008-2009 Leica + Hasselblad: A Selection of essay writing topics, Classic Cameras from teh David Whitmire Hearst Jr. Foundation Collection, California Museum of Photography, Riverside, California. 2009 Character Project, various locations. 2009 American the thesis writing, Beautiful, Staley Wise Gallery, New York, New York. 2009 Sacred Sight: Photographs in India, Howard Greenberg Gallery, New York, New York. 2009 An Autobiography of the San Francisco Bay Area, SF Camerawork, San Francisco, California. 2009-2010 Sacred Sights, The Empty Quarter, Dubai, UAE.

2010 CINEMA, Polka Gallery, Paris, France. 2010 Engaged Observers: Documentary Photography since the how to prepare a business plan for investors, Sixties, The J. Paul Getty Museum, Los Angeles, California. Writing. 2010-2011 eye contact: a potpourri of portraiture from the permanent collection, California Museum of Photography, Riverside, California. 2010-2011 60 from the 60s: Selections from the George Eastman House, 1285 Avenue of the Americas Gallery, New York, New York. 2010-2011 Vanity Fair 100 a±os, Galeria Ivory Press, Madrid, Spain 2011 Under the Big Top, The University of Vermont's Fleming Museum of Art, Burlington, Vermont. 2011 Beauty in the 21st Century, part 2: MEN, Deichtorhallen, Hamburg, Germany. A Business Plan For Investors. 2011 XV Years of Mary Ellen Mark's Workshop in Oaxaca, Manuel Alvaraz Bravo Center, Oaxaca, Mexico. Thesis. 2011 POLAROID [IM]POSSIBLE - The WestLicht collection, WestLicht Gallery, Vienna, Austria. Research White. 2011 21 and Under, Holden Luntz Gallery, Palm Beach, FL.

2011-2012 group exhibition at The Margulies Collection at the Warehouse, Miami, Florida. 2011 The New York Times Magazine Photographs, Eglise Sainte Anne, Les Rencontres d'Arles, France. 2012 The New York Times Magazine Photographs, Foam Photography Museum, Amsterdam. 2012 The New York Times Magazine Photographs, Palau Robert, Barcelona, Spain. 2012 Portrayal/Betrayal, Santa Barbara Museum of writing, Art, Santa Barbara, California. 2012 35mm: Photographs from the Collection, Philadelphia Museum of topics, Art, Philadelphia, Pennsylvania. 2012 Women, Staley-Wise Gallery, New York, New York. 2012-2013 60 from the 60s, George Eastman House, Rochester, New York. Thesis Writing. 2013 The New York Times Magazine Photographs, Centro de Extension, Universidad Catolica de Chile. 2013 I, You, We, Whitney Museum of American Art, New York, New York. 2013 Family Portrait, Philadelphia Museum of Art, Philadelphia, Pennsylvania.

2013 The Gender Show, George Eastman House, Rochester, New York. 2013 The New York Times Magazine Photographs, Fotofestival Lodz, Lodz, Poland. 2013 The New York Times Magazine Photographs, MOCA Jacksonville, Jacksonville, Florida. 2013 Beat Generation/Allen Ginsberg, Centre Pompidou-Metz, Metz, France. 2014 Convergences: Selected Photographs from the essay writing, Permanent Collection, The J. Thesis. Paul Getty Museum, Los Angeles, California. 2014 Striking Resemblance: The Changing Art of Portraiture, Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey. 2014 The New York Times Magazine Photographs, Hunter Museum of American Art, Chattanooga, Tennessee. 2015 Coney Island: Visions of an essay academic writing topics American Dreamland, 1861-2008, Wadsworth Atheneum Museum of thesis, Art, Hartford, Connecticut. 2016 IM LICHT DER SCHEINWERFER, Leica Gallery Wetzlar, Germany. 2017 IM LICHT DER SCHEINWERFER, Leica Gallery Salzburg, Austria. 2017 Like a Horse, Fotografiska, Stockholm, Sweden.

Australian National Gallery. American Museum of the Moving Image. Show Format Essay. Baltimore Museum of writing, Art. Boca Raton Museum of Art. California Museum of Photography. Futility War Essay. Cantor Center at Stanford University. Writing. California State University Library, Long Beach.

Center for Creative Photography. Science Fiction Essays. Centre Georges Pompidou. Thesis Writing. Centro Fotografico Alvarez Bravo , Oaxaca. The Chrysler Museum of Art. Submit. Cleveland Museum of thesis, Art. Corcoran Gallery of Art. Detroit Institute of Arts. El Centro de la Imagen, Mexico City. Me A Of An. Elvehjem Museum of Art.

George Arents, Jr. Collection at the New York Public Library. Writing. George Eastman House. The Hague Museum of Photography. Hallmark Photographic Collection. The Hasselblad Foundation. Harry Ransom Humanities Research Center.

Herbert F. Johnson Museum of Art at show me a format of an, Cornell University. Honolulu Academy of writing, Art. Hope Photographs Collection for essay academic writing, Cameraworks. International Center of Photography. Writing. Iris B. Gerald Cantor Center for Visual Arts at Stanford. J. Paul Getty Museum. The Library of supplemental essay, Congress. Thesis. Los Angeles County Museum of Art.

The Marguilies Collection. Mead Art Museum at Amherst College. Minneapolis Institute of supplemental, Arts. The Museum of writing, Fine Arts, Houston. Paper. The Museum of thesis writing, Contemporary Photography, Chicago. Museum of Photographic Arts in San Diego. Fiction. Museum Ludwig, Cologne. National Gallery of Australia. National Millennium Survey, College of thesis, Santa Fe. The National Museum of Iceland.

National Portrait Gallery. Fiction Online. Philadelphia Museum of writing, Art. Portland Museum of college supplemental, Art, Portland, Maine. Saint Louis Art Museum. San Francisco Museum of Modern Art. Santa Barbara Museum of Art. Seattle Art Museum.

Southeast Museum of thesis, Photography. Sweet Briar College. Tokyo Metropolitan Museum of Photography. The Toledo Museum of Art. Science. University of Colorado. University of writing, New Mexico Art Museum. University of Oklahoma Museum of Art. College. University of Oregon. Thesis. The University of Pennsylvania Art Collection.

Vincent Van Gogh Foundation. The Wittliff Collections. Whitney Museum of war essay, American Art. Yale University Art Gallery. 1980 Page One Award, for Excellence in thesis writing, Journalism, The Newspaper Guild of New York, Children of Desire, New York Times Magazine.

1981 First Place Feature Picture Story, University of essays online, Missouri, Mother Teresa in Calcutta, Life Magazine. 1981 First Prize, Robert F. Thesis. Kennedy Journalism Award, Mother Teresa in Calcutta, Life Magazine. 1982 Leica Medal of Excellence, Falkland Road 1983 Canon Photo Essayist Award, Streets of the Lost, Life Magazine. 1983 Honorable Mention - Robert F. Kennedy Journalism Award, Streets of the Lost, Life Magazine. 1984 First Place Magazine Published Picture Story, University of science fiction online, Missouri, Streets of the Lost, Life Magazine. 1984 First Prize, Robert F. Writing. Kennedy Journalism Award, Camp Good Times, Life Magazine. 1986 The Phillipe Halsman Award for Photojournalism, ASMP.

1986 World Press Photo, 2nd Prize News Features Series. 1987 Photographer of the academic topics, Year Award, The Friends of Photography. 1988 Art Directors Club 67th Annual Exhibition Distinctive Merit Award. 1988 Creative Arts Awards Citation For Photography, Brandeis University. 1988 World Press Award, for Outstanding Body of Work Throughout the Years. 1988 George W. Thesis. Polk Award, Photojournalism. Science Fiction Online. 1988 Distinguished Photographer's Award, Women In Photography. 1989 Art Directors Club Award. 1989 The World Hunger Media Awards, Best Photojournalism, Children of Poverty, Life Magazine.

1990 Pictures of the Year Award for writing, Magazine Portrait/Personality, The Face of Rural Poverty, Fortune Magazine. Prepare A Business Plan. 1992 Victor Hasselblad Cover Award. 1992 The Society of Publication Designers, Award of Distinctive Merit, Pretty Babies, Buzz Magazine. Thesis Writing. 1992 The Society of Publication Designers, Award of Distinctive Merit, The Prince of format of an essay, Wildwood, Rolling Stone. 1992 Society of writing, Newspaper Design, Award of Excellence, Magazine Cover and Photojournalism Feature, The New York Times Magazine. 1993 Communication Arts Photography Annual, Award of Excellence, Editorial Category. 1993 Communication Arts Photography Annual, Award of prepare for investors, Excellence, Editorial Series Category. Writing. 1993 Front Page Award, The Newswomen€™s Club of New York, Cree Indians for futility, Conde Nast Traveler, November 10, 1993. 1993 American Photography Competition, Certificate of thesis, Excellence, The Good Boy, Los Angeles Times Magazine.

1993 American Photography Competition, Certificate of Excellence, Rodeo Texas USA series, Texas Monthly. 1993 American Photography Competition, Certificate of Excellence, The Devil Rupert, Idaho, Los Angeles Times Magazine. 1993 Golden Light Awards Photographic Book of the Year, Indian Circus 1994 The Professional Photographer of the Year Award, Photographic Manufacturers Distributors Assoc. 1994 Hearst Magazine and New York Women in Communications, Inc.€™s Matrix Award for Film/ Photography. 1994 The Deutsche Gesellschaft fur Photographie€™s Dr. Erich Salomon Preis Award. 1994 American Photography Competition, Certificate of Excellence, After the Deluge, Vogue Magazine. 1994 American Photography Competition, Certificate of Excellence, Boy George, US Magazine. 1995 Heros of the war essay, West, Premiere Magazine American Photography 11. 1995 American Photography Competition, Certificate of Excellence, Back In the Saddle Again series, Premiere Magazine. 1995 American Photography Competition, Certificate of thesis, Excellence, The Abortionist, GQ Magazine.

1995 Pictures of the harvard essay, Year, 3rd Place Magazine Division, The Sins of Fathers Freelance/Life Magazine. 1995 Pictures of the Year, 1st Place Magazine Division, Napping Freelance/Life Magazine. 1996 United States Department of thesis writing, State, Certificate of Appreciation in generously supporting the academic writing, Art in Embassies Program. 1996 Picture of the Year, 1st place in thesis writing, magazine division for issue reporting Damm Family; 3rd place in magazine division for essay academic writing, picture essay. 1996 Master Series Award, School of Visual Arts. 1997 Inf inity Award, International Center of thesis writing, Photography. 1997 The Society of Publication Designers, Merit Award for futility war essay, Design Feature Story, El Circo, Texas Monthly, November.

1998 Communication Arts Photography Annual, Award of writing, Excellence, Editorial Catagory. War Essay. 1998 The Art Directors Club Merit Award, Happy Doomsday 1998 The Art Directors Club Silver Award, El Circo 1998 The Society of writing, Publication Designers, Gold Medal Award for war essay, Design Entire Issue, Battle of the thesis writing, Generations, Fast Company, September issue. 1999 Communication Arts Photography Annual, Award of show of an, Excellence, Editorial Category. 1999 Leadership Award, International Photographic Council. 1999 Photographic Administrators Incorporated, Award for Excellence in Photojournalism. 2000 Annenberg School for Communication, University of Pennsylvania, The Merrill Panitt Citizenship Award.

2001 International Center of Photography, Infinity Awards, Cornell Capa Award. 2003 Lucie Award for Documentary Photography. 2004 World Press Photo Awards, First Prize in thesis writing, the Arts (Twins series) 2006 Visionary Woman Wards, Moor College of Art. 2006 Photographic Center Northwest, Photo Vision Award. How To Prepare Plan For Investors. 2011 Redpoll Trophy: Best Photographer Award, Dali International Photography Exhibition, Dali, China. Thesis Writing. 2012 Art Directors Club Hall of Fame inductee. 2013 Creative Spirit Award, University of Pennsylvania. 2014 Lifetime Achievement in Photography Award, George Eastman House.

2014 Outstanding Contribution to Photography Award, World Photography Organization. 1975 Apeiron Photography Workshop. 1975 Contemporary Trends in format essay, Photography Lecture Series, Temple University, Philadelphia, Philadelphia. 1975 U.S.I.A. Photography Workshop, Zagreb, Yugoslavia. 1976 A.S.M.P. Lecture on Photography, Los Angeles. 1976 Clarence White Jr.

Lectureship, Ohio University. 1976 Photography Workshop, Arles, France. 1976 Lecture Series, Brooks Institute, Santa Barbara, California. 1977 Lecture Series, Aperture 77, Durham, California. 1977 Lecture Series, Women's Interart Center, New York. 1977 Lecture Series, Bard College, New York. 1977 Lecture Series, The New School, New York, New York.

1977 Lecture Series, International Center of Photography, New York, New York. Writing. 1977 Lecture Series, Yale University, New Haven, Connecticut. 1977 Lecture Series, School of Visual Arts, New York. 1978 Maine Photographic Workshop, Rockport, Maine. 1978 Lecture Series, Massachusetts Institute of concept submit, Technology, Cambridge, Massachusetts.

1978 Ansel Adams Workshop, Carmel, California. 1978 Apeiron Photography Workshop. 1978 Essex Photography Workshop. 1979 Photography Workshop, Arles, France. Thesis. 1981 Lecture Series, Smithsonian Institute, Washington, D.C. 1981 Lecture Series, Princeton University, Princeton, New Jersey. 1982 Maine Photographic Workshop, Rockport, Maine. Show Me A Format Of An. 1982 Lecture Program, Bennington College, Bennington, Vermont. 1983 Lecture Series, National Endowment for the Arts, Corcoran Art School, Washington, D.C. Writing. 1983 Ansel Adams Workshop, Carmel, California. Futility. 1983 Morocco Summer Program, School of Visual Arts, New York, New York.

1983 Film in the Cities Workshop, St. Paul, Minnesota. 1984 Lecture Series, Columbia College, Chicago. 1984 Photography Workshop, C.W. Post, Greenvale, New York.

1984 Lecture Series, Santa Barbara Museum of Art, California. 1984 Ansel Adams Workshop, Carmel California. 1984 Photography Workshop, International Center of thesis writing, Photography, New York, New York. 1985 Photography Workshop, Arles, France. 1985 Photography Workshop, International Center of Photography, New York, New York. 1985 Maine Photographic Workshop, Rockport, Maine. 1985 Ansel Adams Workshop, Carmel, California. Concept Submit. 1985 Visual Studies Workshop, Rochester, New York. Thesis. 1985 Reedy Memorial Lectures, Rochester, New York, 1985 Reedy Memorial Lecture, Art Center, Pasadena, California. 1986 Lecture Series, Daytona Beach Community College, Florida.

1986 Photography Workshop, Friends of topics, Photography, Carmel, California. Writing. 1986 Lecture Series, San Francisco Camerawork, California. Writing. 1986 Lecture Series, Port Washington Library, New York. Thesis. 1986 Photography Workshop, Anderson Ranch Art Center, Aspen, Colorado. 1986 Maine Photographic Workshop, Rockport, Maine. 1986 Lecture Series, Portland Museum of Art, Maine. 1987 Lecture Series, International Center of how to prepare a business, Photography, New York, New York. 1987 Photography Workshop, International Center of Photography, New York, New York. 1987 Photography Workshop, Friends of Photography, India. 1987 Photography Workshop, University of Oklahoma Enrichment Program, Oklahoma City, Oklahoma.

1987 Photography Workshop, Anderson Ranch Arts Center, Aspen, Colorado. 1988 Graduate Course in Documentary Photography, School of writing, Visual Arts, New York, New York. 1988 Lecture, The Museum of Fine Art, Houston, Texas. 1988 Photography Workshop, Houston Foto Festival, Houston, Texas. 1988 Photographic Workshop, Palm Beach, Florida. Research White. 1988 Photographic Workshop and Lecture, University of Alabama.

1988 Photographic Workshop, International Center of writing, Photography, New York, New York. 1988 Photographic Workshop, Arles, France. 1988 Faculty, Master of Fine Arts Degree Program, School of concept white, Visual Arts, New York, New York. 1988 Reedy Memorial Lecture, Brooks Institute, Pasadena Art Center. 1988 Reedy Memorial Lecture, Academy of thesis writing, Art, San Francisco, California. 1989 Palm Beach Photographic Workshop, Boca Raton, Florida. 1989 Lecture, Photographic Resource Center, Boston, University, Boston. 1989 Photography Workshop, New York University, New York.

1989 Lecture, Stanford Conference of Design, Stanford, California. How To A Business For Investors. 1989 Lecture, Steamboat Springs Photography Conference, Colorado. 1989 Lecture, Birmingham Museum of Art, Birmingham, Alabama. Writing. 1989 Lecture, Honored Photographer at Maine Photography Congress. 1989 Photographic Workshop, Rockport, Maine. 1989 Eddie Adams Workshop, New York, New York. Supplemental Essay. 1989 Lecture, Amon Carter Museum, Ft.

Worth, Texas. 1989 Lecture and Workshop, Southern Methodist University, Dallas, Texas. 1990 Photographic Workshop, Rockport, Maine. Thesis Writing. 1991 Photographic Workshop, International Center for Photography, New York, New York. 1991 Photographic Workshop, Santa Fe, New Mexico. 1991 Lecture, Film in the Cities, St.

Paul, Minnesota. 1991 Photographic Workshop, Sweden. Research White. 1992 Photographic Workshop, Santa Fe, New Mexico. Thesis Writing. 1992 Photographic Workshop, International Center for Photography, New York, New York. 1992 Photographic Workshop, Rockport, Maine. 1992 Lecture, Chrysler Museum, Norfolk Virginia.

1992 Chicago Print Fair, Chicago, Illinois. 1992 Lecture, George Eastman House, Rochester New York. 1992 Lecture, Museum of Photographic Arts, San Diego, California. Science Essays Online. 1992 Lecture, University of Arkansas Little Rock, Little Rock, Arkansas. 1993 Photographic Workshop, International Center for Photography, New York, New York. 1993 Lecture, Advertising and thesis Design Club of Toronto, Toronto, Canada. Paper Research Submit. 1993 Lecture, Osaka Art University, Tokyo, Japan. 1993 Lecture, Reykjavik Municipal Art Museum, Iceland. 1993 Lecture, Seattle Arts Museum, Seattle, Washington DC.

1993 Photographic Workshop, Rockport, Maine. 1993 Lecture, Kenyon College, Gambier, Ohio. 1993 Lecture, The University of New Hampshire, New Hampshire. 1994 Lecture, Advertising Photographers of thesis, New York, New York, New York. 1994 Photographic Workshop, International Center for Photography, New York, New York. 1994 Photographic Workshop, Goteborgs Universitet, Sweden. 1994 Lecture, Les Rencontres D'Arles, France. 1994 Lecture, ASMP, New Jersey. 1994 Lecture Photographic Workshop, East Texas Photographic Society, Plano, Texas. 1995 Lecture, Annenberg School of Communications, University of Pennsylvania, Philadelphia, Pennsylvania. 1995 Lecture, University of the Arts, College of Art Design, Philadelphia, Pennsylvania.

1995 Photographic Workshop, International Center of Photography, New York, New York. Fiction Essays Online. 1995 Photographic Workshop, Rockport Maine. 1995 Lecture, Black Book, New York, New York. 1995 Lecture, VISCOM, Jacob Javitz Center, New York, New York. 1995 Lecture, University of thesis writing, Memphis, Tennessee. 1996 Lecture, University of science essays, Pennsylvania, Annenberg School of Communications, Philadelphia, Pennsylvania. 1996 Photographic Workshop, Rockport Maine. 1996 Lecture, Fatamorgana, Denmark.

1996 Maine Photographic Workshop, Oaxaca, Mexico - Winter. 1996 Maine Photographic Workshop, Oaxaca, Mexico - Summer. Thesis. 1996 Lecture, VISCOM, Jacob Javitz Center, New York, New York. 1996 Photographic Workshop, International Center of Photography, New York, New York. 1997 Maine Photographic Workshop, Oaxaca, Mexico, Winter. Science Essays Online. 1997 Photographic Workshop, International Center of Photography, New York, New York. Thesis Writing. 1997 The Center for Photography at Woodstock Workshop, Woodstock, New York. 1997 Maine Photographic Workshop, Oaxaca, Mexico - Summer. 1997 Photographic Workshop, Rockport, Maine.

1997 Lecture, Santa Barbara Musuem of fiction online, Art, California. 1997 Lecture, Photo Plus, Jacob Javitz Center, New York, New York for Canon and thesis ICP. 1998 Maine Photographic Workshop, Oaxaca, Mexico, Winter. 1998 The Columbus Soceity for Communicating Arts, Columbus, Ohio. 1998 Lecture, Institutt for Journalistikk, Fredrikstad, Norway. 1998 Lecture, Virginia Museum of Fine Arts, Richmond, Virginia.

1998 Maine Photographic Workshop, Oaxaca, Mexico, Summer. 1998 Photographic Workshop, International Center of essays online, Photography, New York, New York. 1998 Maine Photographic Workshop, Rockport, Maine. 1998 Maine Photographic Workshop, Oaxaca, Mexico, Summer. Thesis Writing. 1998 Amherst College, Mead Art Museum, Amherst, Massachusetts. 1998 Lecture/Workshop, Goshen College, Goshen, Indiana. 1998 Lecture, Advertising Photographers of America, Milwaukee, Wisconsin. 1998 Maine Photographic Workshop, Oaxaca, Mexico€“Winter. Harvard College Supplemental Essay. 1999 Lecture, George Eastman House, Rochester, New York. 1999 Lecture, A.S.M.P., Boston, Massachusetts. 1999 Maine Photographic Workshop, Oaxaca, Mexico-Spring.

1999 Lecture, UCLA Hammer Museum, Los Angeles, California. 1999 International Photomeeting, Republic of San Marino. Writing. 1999 Lecture, Oneida County Volunteer Firemens Association/Kirkland Art Center, Clinton, New York. 1999 Maine Photographic Workshop, Rockport, Maine. 1999 Annenberg School for Communication Workshop, Philadelphia, Pennsylvania. 1999 The Center for a business plan for investors, Photography at Woodstock Workshop, Woodstock, New York. 1999 Lecture, Brauer Museum at thesis writing, Valparaiso University, Valparaiso, Indiana. Futility. 1999 Lecture, Fashion Institute of Technology, New York, NY. Thesis Writing. 1999 Lecture, CYMK Lecture Series, New York, New York.

1999 Lecture, Salon.com Brilliant Careers Event, San Francisco, California. 1999 Lecture Workshop, University of North Carolina, Chapel Hill, North Carolina. 1999 Lecture, The National Arts Club, New York, New York. 2000 Lecture, Photo L.A., Santa Monica, California. 2000 Maine Photographic Workshop, Oaxaca, Mexico-Winter.

2000 Lecture, UCSF Conference Center, San Francisco, California. 2000 Lecture, Santa Barbara Museum of concept research submit white, Art, Santa Barbara, California. 2000 Lecture, Art Center Colege of thesis writing, Design, Pasadena, California. How To A Business. 2000 Lecture, Northern Short Course/NPPPA, Buffalo, New York. 2000 Lecture, National Geographic Society/ASMP: Capital Region, Washington, DC. 2000 International Center of thesis, Photography Workshop. 2000 Maine Photographic Workshop, Oaxaca, Mexico-Summer. 2000 Maine Photographic Workshop, Rockport, Maine. Harvard. 2000 Annenberg School for Communication Workshop, Philadelphia, Pennsylvania.

2000 The Center for Photography at thesis writing, Woodstock Workshop, Woodstock, New York. 2000 Lecture, Hunt Photographic Show, Boston, Massachusetts. Science Essays Online. 2000 Lecture, Phillips Exeter Academy, Exeter, New Hampshire. Thesis Writing. 2000 Lecture, Arbetets Museum, Norrkoping, Sweden. 2000 Lecture, Kulturhuset, Stockholm, Sweden. 2001 Lecture, Northern Kentucky University, Highland Heights, Kentucky. Futility. 2001 Maine Photographic Workshop, Oaxaca, Mexico-Winter.

2001 International Center of Photography Workshop, New York, New York. 2001 DoubleTake Lecture and Master Class. 2002 Getty Center, Los Angeles, California. Writing. 2002 Lecture, Center for how to prepare a business plan, Creative Studies, Detroit, Michigan. 2003 Lecture, Weber Stat University, Ogden, Utah. 2003 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2003 Woodstock Workshop, Woodstock, New York. 2003 Ross Institute School Workshop, East Hampton, New York. 2003 Cincinnati Country Day School Workshop, Cincinnati, Ohio.

2003 Sweet Briar College Lecture, Sweet Briar, Virginia. 2003 Lecture, UCLA Hammer Museum, Los Angeles, California. 2004 Museum of Fine Arts Lecture, Boston, Massachusetts. 2004 Photographic Center Northwest Workshop, Oaxaca, Mexico. Thesis. 2004 Museum of Contemporary Photography Lecture, Chicago, Illinois. Prepare For Investors. 2004 Manchester City Galleries Lecture, Manchester, England. 2004 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2004 Lecture, Independent Curators International, New York, New York. 2004 Lecture, High Museum, Atlanta, Georgia. 2005 Whyte Museum Lecture, Banff, Canada.

2005 Lecture, Rochester Institute of Photography, Rochester, New York. 2005 Lecture, Manchester Craftsmen's Guild, Pittsburgh, Pennsylvania. 2005 Reykjavik Museum of Photography, Reykjavik, Iceland. 2005 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2006 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2006 Woodstock Workshop, Woodstock, New York. Thesis. 2006 Lecture, Hudson Valley Community College, Troy, New York. 2006 Photographic Center Northwest Lecture, Seattle, Washington. 2006 Hallmark Institute of futility, Photography, Turner Falls, Massachusetts. 2006 Salo Art Museum Lecture, Salo, Finland. 2006 Vancouver Photographic Workshops, Vancouver, Canada.

2007 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2007 Lecture, Hallmark Institute of Photography, Turner Falls, Massachusetts. Thesis Writing. 2007 EFTI Workshop, Madrid, Spain. 2007 Woodstock Workshop, Woodstock, New York. Harvard College Supplemental Essay. 2007 Lecture, Akron Art Museum, Akron, Ohio. 2007 Lecture, Ryerson University, Toronto, Canada. Thesis. 2008 Lecture, Lewis Clark College, Portland, Oregon. 2008 International Center of science online, Photography Workshop, New York, New York. 2008 Oaxaca Workshop, Oaxaca, Mexico. Writing. 2008 Woodstock Workshop, Woodstock, New York. 2008 Lecture, University of Texas at Austin, Austin, Texas.

2008 Lecture, The Academic Society of Lund/Lund University, Lund, Sweden. Me A Format Essay. 2008 Lecture, Festival of the Photograph, Charlottesville, Virginia. 2008 Lecture, Herbert F. Johnson Museum, Ithaca, New York. 2008 Lecture, Hallmark Institute of thesis, Photography, Turner Falls, Massachusetts. Show Format. 2008 Lecture, Owens Community College, Toledo, Ohio. Thesis. 2008 Lecture, Nordiska Museum, Stockholm, Sweden.

2008 Lecture, Philadelphia Free Library, Philadelphia, Pennsylvania. 2009 Lecture, Annenberg Lecture Series, Palm Springs Art Museum, Palm Springs, California. 2009 Puerto Rican Day Parade Workshop, New York, New York. 2009 Julia Dean Photo Workshops, Venice, California. 2009 Lecture, Austin Center of Photography, Austin, Texas.

2009 Oaxaca Workshops, Oaxaca, Mexico. 2009 Halloween Workshop, New York, New York. 2009 Center for submit white, Photography at Woodstock Workshop, Woodstock, New York. 2009 Master Critique Workshops, International Center for Photography, New York, New York. 2009 Lecture, San Francisco Film Festival, San Francisco, California. 2009 Lecture, Sony World Photography Awards, Cannes, France. 2010 Puerto Rican Day Parade Workshop, New York, New York. 2010 Lecture, University of writing, Pennsylvania, Philadelphia, New York 2010 Master Critique Workshops, International Center for college supplemental, Photography, New York, New York. 2010 Oaxaca Workshops, Oaxaca, Mexico.

2010 Lecture, Richland College, Dallas, Texas 2010 NewSpace Center for Photography Worksohp, Portland, Oregon. 2010 Lecture, Rhode Island School of writing, Design, Providence, Rhode Island 2010 Halloween Workshop, New York, New York. 2010 Lecture, Fashion Institute of a business plan for investors, Technology, New York, New York. Thesis Writing. 2011 Oaxaca Workshops, Oaxaca, Mexico. 2011 Lecture, Malmo University, Malmo, Sweden. 2011 Lecture, Reed College, Portland, Oregon. 2011 Julia Dean Workshop, Los Angeles, California. Show. 2011 International Center for Photography Workshop, New York, New York. Thesis. 2011 Fotografiska Workshop, Stockholm, Sweden. How To A Business Plan For Investors. 2011 Festival of the Photograph/LOOK3 Workshop, Charlottesville, Virginia.

2012 Lecture, Nordic Light Photography Festival, Kristinsund, Norway. 2012 Oaxaca workshops, Oaxaca, Mexico. 2012 International Center for Photography Workshops, New York, New York. 2012 Photo Xpeditions Workshop, Reykjavik, Iceland. 2012 Lecture, Bursa Foto Festival, Bursa, Turkey.

2012 Lecture, Fundacion Mexican de Cine and thesis writing Artes, Saltillo, Mexico. 2012 Lecture, Philadelphia Photo Arts Center, Philadelphia, Pennsylvania. Concept Submit. 2012 Panel discussion, Spotlights, International Center of Photography, New York, New York. 2013 Lecture, Lowe Museum of Art, Miami, Florida. 2013 Lecture, Instituto de Arte e Cultura do Ceara, Fortaleza, Brazil. 2013 Workshop, Marinho, Sao Paulo, Brazil. 2013 Lecture, Leica Gallery, Los Angeles, California.

2013 Workshops, Oaxaca, Mexico. Thesis Writing. 2013 Workshop, Reykjavik, Iceland. 2013 Workshop, Center for Photography at paper white, Woodstock, Woodstock, New York. 2013 ASMP, Boston, Massachusetts. 2013 Workshop, Mary Ellen Mark Halloween Workshop, New York, New York. 2013 Lecture, ASMP/Smithsonian, Washington, DC.

2013 Lecture, Penny Stamps Lecture Series, University of thesis writing, Michigan, Michigan. Futility. 2013 Workshop, Photo Espana, Madrid, Spain. 2014 Workshop, Oaxaca, Mexico. 2014 Workshop, Leica Store, Miami, Florida. Writing. 2014 Lecture, Gerbner Lecture Series, University of Pennsylvania, Philadelphia.

2014 Workshop, New York City. 2014 Workshop, International Center of show format of an, Photography, New York City. 2014 Workshop, Reykjavik, Iceland. 2014 Workshop, Center for Photography at Woodstock, Woodstock, New York. Thesis. 2014 Halloween Workshop, New York City. 2015 Lecture, Columbia University, School of the Arts, New York City.

2015 Workshop, Oaxaca, Mexico. 2015 Workshop, International Center of Photography, New York City. 2015 Palm Springs Photographic Workshops, Palm Springs, CA. War Essay. Streetwise, University of Pennsylvania Press, 1988, Aperture, 1992. Indian Circus, Chronicle Publishers, 1993, Japan Independent Communications Corporation, 1993. Mary Ellen Mark Portraits, Motta Fotografia, November 1995, Smithsonian International Press, 1997, Nathan, Paris, France, September 1997. Prom , Getty Publishing, Los Angeles, United States, 2012. Man and Beast , University of thesis, Texas Press, Austin, United States, 2014. Mary Ellen Mark on college essay, the Portrait and the Moment , Aperture, New York, 2015. Tiny: Streetwise Revisited , Aperture, New York, 2015. Vision and Expression, Horizon Press with the George Eastman house, Rochester, New York,1969.

Photographing Children, Time-Life Books, 1971. British Journal of Photography Annual, 1972. Writing. The Photojournalist: Two Women Explore the Modern World and the Emotions of Individuals, Mark and Leibovitz, Thomas Y. Essay Academic Writing. Crowell, 1974. Between Friends/Entre Amis, the thesis, National Film Board of Canada, 1976. Concept Research. A Vision Shared, St. Martin€™s Press, Inc., 1976. Photography Year 1977 , Time-Life Books, 1977.

Olympus Elements, The Yellowhammer Company, London, 1977. American Images: New Work by Contemporary Photographers, McGraw Hill, 1979. Notes On the thesis writing, Making of futility war essay, Apocalypse Now , Proscenium Publishers Inc., 1979. A Day in the Life of Australia, Collins Publishers, 1981. The Best of Photojournalism 9 , National Press Photographers Association, 1984. One Moment of the thesis writing, World, Communication Engineering Lab., Ltd., 1984. Spirit of Sport, Group Project, A Polaroid Book, New York Graphic Society, 1985. Vivre En Maillot De Bain, (Miami Beach), Federation Francaise Du Pret A Porter Feminin, 1986. Day in college supplemental essay, the Life of America, Collins Publishers, 1986.

Chi Troppo e Chi Niente. Thesis Writing. , Micrart€™s Ecizioni SpA, 1986. China the science fiction online, Long March, Intercontinental Publishing Corporation, 1986. Day in the Life of Russia, Collins Publishers, 1987. Day in writing, the Life of Spain, Collins Publishers, 1987. American Photography 3 , Booth-Clibborn, 1987. Light Years , The Friends of college essay, Photography, 1987. Thesis Writing. A Day in the Life of the Soviet Union, Collins Publishers, 1987. Homeless In America, Acropolis Books 1988. A Day in fiction essays, the Life of California, Collins Publishers, 1988.

The 67th Art Directors Annual, ADC Publications Inc., 1988. Life Classic Photographs, New York Graphic Society, Little, Brown, and writing Company 1988. American Photography 4 , Abbeville Press, 1988. Day In The Life of China, Collins Publishers, 1989. Rolling Stone, The Photographs, Simon Schuster, 1989. 54 Master Photographers of harvard college essay, 1960-1979 , Photographic Society of Japan, 1989. Das Waren Die Achtziger Jahre, Stern Buch, 1989. Photographer€™s Dialogue , Social Issues Resources Series, Inc., 1989.

The Jews in America, Collins Publishers, 1989. Writing. American Photography Five, Booth-Clibborn, 1989. A Day in the Life of Italy, Collins Publishers, 1990. The Photo Essay, Photographers at show me a of an essay, Work, A Smithsonian Series, 1990. Graphis Photo 90, Graphis Press Corp., 1990. Children in thesis writing, Photography: 150 Years, Firefly Books, Ltd., 1990.

75 Years of Leica Photography , The Leica Camera Group, 1990. How To A Business For Investors. Criticizing Photographs , Mayfield Publishing Company, 1990. TID , Henrik Saxgren/Fotogruppen 2. maj og Forlaget Amanda, 1990. American Photography 6, Edward Booth-Clibborn, 1990. The Power to Heal, Prentice Hall Press, 1990. Eyewitness, Time Inc. Thesis. Magazine Company, 1990. Fiction Online. We, the Children, Key Porter Books, 1990. Day in the Life of thesis, Ireland , Collins Publishers, 1991. The Circle of Life, Cohen Publishers, 1991. The Meaning of Life, Little, Brown, 1991.

10,000 Eyes: Professional Photography Division, Eastman Kodak Company and Thomasson-Grant, 1991. Shooting Stars , Stewart Tabori Chang, 1992. Baby, Baby, Sweet Baby , Pomegranate Artbooks, 1992. Prepare For Investors. The World of the Theatre 2nd Ed. , Wm. Thesis. C. How To Prepare Plan. Brown Publishers, 1992. The Evolving Therapist , The Guilford Press, 1992.

Transitory Gardens , Yale University Press, 1993. Turnaround: A Memoir , Villard Books, 1993. The Illustrated Woody Allen Reader , Alfred A. Knopf, New York, 1993. Halloween , Macmillan Publishing Company, 1993. Photographers For Friends In Deed , Sotheby€™s, 1993. Les Annees 1970, Foundation Select, 1993.

Photographers International, Photographers International, 1993. History of Women Photographers , Abbeville Press, 1994. Writing. Passage to Vietnam , Against All Odds, 1994. Paper Submit. King of the writing, Hill , Fusosha Entertainment, 1994. Kissing: Photographs Essays on the Wonderfull Act of Kissing , H2O Company Ltc.,1994. Black and writing White New York , Thomasson-Grant, Inc., 1994. Writing. Talking Pictures , Chronicle Books, 1994.

Out in America, Viking Studio Books, 1994. Blind Spot, Blind Spot Photography Inc., 1994. World Press Photo This Critical Mirror, World Press Photo, 1995. How To A Business Plan. Animal Attractions , Humane Society of New York Abrams, 1995. Photography Speaks II , Chrysler Museum Inc., 1995. Rolling Stone Images of Rock and Roll , Little Brown, 1995. American Photography 11, Amilus, Inc., 1995. All Smiles, Chronicle Book, 1995. Thesis Writing. Santa Speaks , Collins Publisher, San Francsico,1995. Harvard Essay. Visionaire: Seven Deadly Sins , Visionaire Publishing, 1995. Fashion, Photography of the thesis, Nineties , Scalo, 1996.

Christmas Around the supplemental, World , Collins Publishers, 1996. The Philippines, A Journey Through The Archipelago , Archipelago Press , 1996. The Shadow Man , Random House, Inc. Thesis. New York, 1996. Essays Online. Criticizing Photographs , Mayfield Publishing Company, 1996. RollingStone Film Reader , Pocket Books, 1996.

Marlon Brando: Portraits and Filmstills 1946-1995 , Schirmer/Mosel, 1996. Communication Arts: Photography Annual 37, Coyne Blanchard, Inc. 1996. The Imaginary Girlfriend, Alfred A. Thesis. Knopf Canada, 1996. The Story of Mothers and Daughters , Collins Publishers, New York, 1997. Hasselblad: The Camera System 50 Years 1948-1998 , Victor Hasselblad AB., 1997. Communication Arts, Coyne Blanchard, Inc. Futility. 1997. Faces of the Twentieth Century , Abbeville Press, 1998.

Car Culture, Gibbs Smith Publishing, Layton, Utah, 1998. Evergreen Review Reader, Four Walls Eight Windows, 1998. Under the Whelming Tide: The 1997 Flood of the thesis, Red River of the North, North Dakota Museum of harvard college essay, Art, Grand Fork, North Dakota, 1998. Thesis Writing. The Bond Between Women, Riverhead Books, New York, 1998. The Century, Doubleday Publishers, New York, 1998. Outrageous: The Photographs, Rolling Stone Press Book, New York 1998.

Rolling Stone: The €˜70s, Rolling Stone Press Book, New York 1998. War Essay. The Ernst Haas Memorial Collection , The Portland Museum of Art, Maine, 1998. Thesis Writing. Portfolio: The Image Of Man 50 Years of essays online, Stern, The Best Pictures, Stern, Germany 1998. Hope Photographs , Thames and Hudson, 1998. Writing. Sleep:Bedtime Reader , Universe Publishing, 1998. Photography€™s Multiple Roles, The Museum Of Contemporary Photography, Columbia College Chicago, Chicago 1998. Photo Annual 1998 , Graphics Inc Publishing, New York 1998.

5th International Month Of Photography Athens, September 17- October 18, 1998 , Hellenic Center For Photography, Athens, 1998. Essay Academic Writing Topics. Communication Arts: Photography Annual 39, Coyne Blanchard, Inc. 1998. The Pictures of Texas Monthly 25 Years, Stewart, Tabori, Chang, 1998. The Century for writing, Young People, Random House, inc., 1999. Essay. Green Mountains Review, Green Mountains Review, 1999. People Who Shaped the Century , Time Life Inc., 1999. Biography: Maya Angelou, Lerner Publication Company, 1999. Picturing the Modern Amazon, New Museum Books, 1999.

The Way Home: Ending Homelessness in America , Harry N. Abrams, Inc., New York, 1999. American Photography: A Century of writing, Images, Chronicle Books, 1999. Women Photographers at how to for investors, National Geographic , National Geographic Society, Washington, DC 2000. Masterminds of Mode, H2O Company Ltd., 2000. The 100 Greatest Entertainers , Entertainment Weekly, New York, NY 2000. Thesis Writing. The Bond Between Women , Riverhead Books, New York, NY, 1998. Show Format Essay. The Dog , Ruth Silverman, Chronicle Books, San Francisco, 2000.

Vanity Fair€™s Hollywood, Viking Studio, 2000. Leica World: Magic Moments 2 , Leica, Germany, 2000. Witness in Our Time , Smithsonian, Washington, DC 2000. Abnormal Psychology Textbook , The Open University of writing, Israel, 2000. Entertainment Weekly Yearbook 2000, Entertainment Weekly, 2000. In Response to essays Place , The Nature Conservancy, 2001.

Moulin Rouge, Allen Unwin, 2001. Zie Je, Ik Hou Van Je , Davidsfonds/Literair, 2001. Frauen Sehen Frauen, Schirmer/Mosel, 2001. Images From the World Between: The Circus in thesis writing, 20th Century American Art, The Mitt Press, 2001. War Essay. Brotherhood, American Express Publishing Corporation, 2001. American Photography 18 , Amilus Inc., 2002.

Photographs: The LOOC Foundation and thesis Well Being Auction Catalogue , The LOOC Foundation, 2002. Photography Pastforward , Aperture, 2002. Aperture 168: 50th Anniversary , Aperture, 2002. Concept. New York: Capital of writing, Photography , Yale University Press in association with The Jewish Museum, New York, NY, 2002. The Conversations , Alfred A. Knopf, 2002. Handbook Of Photography 5th Ed ., Delmar, 2002. War Essay. Photographers, Writers, and the American Scene , Arena Editions, 2002. Communication Arts: Photography Annual 43, Coyne Blanchard, Inc. 2002. Faces of Photography, Edition Stemmle, 2002. Pandemic Facing AIDS, Umbrage Editions, 2003.

I n Focus, National Geographic Society, 2005. Thesis Writing. The Book of Photography , National Geographic Society, 2006. The Theatre of the Face: Portrait Photography Since 1900 , Phaidon, 2007. War Essay. Photowisdom , PQ Blackwell, 2009. Thesis Writing. The New York Times Magazine Photographs, Apeture, 2011. American Photo , The Secret of Their Success, July/August 1995. American Photo , Fall€™s Must See Shows, Sept/October 1996. American Photo, The 100 Most Important People in Photography 1998, May/June 1998. American Photo, Mary Ellen Mark: This Renowned Photographer Loves the futility war essay, Human Animal, Sept/Oct 1998. American Photo On Campus , Passion and Compassion, March 1999. Art News , Souvenirs of a Career, Summer 2000.

British Vogue , September 1993. Bomb Magazine, Mary Ellen Mark, Summer 1989. Camera Arts Magazine, Off Camera , On Film, March 1983. Camera Darkroom , Mary Ellen Mark : The CD Interview, October 1993. City NY , An American Odyssey, Summer 2000. Thesis. Communication Arts, Mary Ellen Mark, March/April 1997. A Business Plan. Connoisseur, Photojournalism's High Mark, September 1991. Daily News , A life in focus, (review of American Odyssey book), January 2, 2000. Darkroom Photography, Street Shooter: An Interview with Mary Ellen Mark, Entertainment Weekly , Books: The Week, (review of American Odyssey book), January 21, 2000. Esquire, Lives From Off Center, September 1991. Flatiron News, Mary Ellen Mark: Photo Form The Edge, May 1995.

Forum Hasselblad, Mary Ellen Mark, Issue 1, 2000. Thesis Writing. Freundin , Die Welt der Helden und Looser, May 2000. The Intelligencer (Doylestown), Slices of life from an fiction essays online old-fashioned photographer, (review of American Odyssey exhibition), May 21, 2000. Liberation, Mary Ellen Mark, si loin de la mode,April 1995. The Los Angeles Times Review , The Indian Circus Comes To Town, Sunday, December 22, 1991. Thesis Writing. The Los Angeles Times , An Overview of Life's Underbelly Saturday, December 12, 1992. Mirabella, What Makes Women Fearless: The Mirabella 100, June 1994. New York Woman , Mary Ellen Mark: Shoots From The Heart, Jan/Feb 1987. The New Yorker, Photography, September 2, 1991. The New York Times, 25 Years of show, Being There (With Camera), September 6, 1991.

The New York Times, Images That Won€™t Let Go of the Eye,October 18, 1996. The New York Times Magazine, The Unflinching Eye, Cover story about Mary Ellen Mark, July 12, 1987. Thesis Writing. The New York Times Book Review , A Lot Like Us, (review of concept submit white, American Odyssey book), April 30, 2000. Time Magazine , American Beauty, Review of Mary Ellen Mark: Photographs exhibition, May 29, 2000. Thesis. National Public Radio , All Things Considered with Jacki Lyden, January 11, 1998. How To. Petersen's Photographic , Mary Ellen Mark: Career Profile, August 2000. Writing. Philadelphia Magazine , Revelations By Mary Ellen Mark, (review of fiction essays, American Odyssey book/exhibition) May 2000. Photo District News, The Masters Turn to Digital Imaging, August 1998. Photo District News , The 20 Most Influential Photographers, May 2000. Rolling Stone, Human Landscapes, Twenty Five Years of Photography with Mary Ellen Mark, October 3, 1991.

Saturday Night, The Look of Love, February 10, 2001 (photo by Grant Delin) Soho Style , Local Color: Mary Ellen Mark, Spring 2000. Thesis. Vanity Fair (Fanfair section), American Anthem, (review of futility war essay, American Odyssey book/exhibition), May 2000. Vibe, The Hit Factory, September, 2000. Village Voice , Make It Simple, Wed, May 26,1993. Working Woman, Image Is Everything, February 1999.

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Full text: President Obama#039;s DNC speech. By POLITICO STAFF. 07/27/2016 10:58 PM EDT. Remarks as prepared for thesis delivery. Story Continued Below.

Twelve years ago tonight, I addressed this convention for the very first time. You met my two little girls, Malia and Sasha – now two amazing young women who just fill me with pride. You fell for my brilliant wife and partner Michelle, who’s made me a better father and a better man; who’s gone on to inspire our nation as First Lady; and of an who somehow hasn’t aged a day. I know the same can’t be said for me. My girls remind me all the time. Wow, you’ve changed so much, daddy. And it’s true – I was so young that first time in writing Boston. Maybe a little nervous addressing such a big crowd. But I was filled with faith; faith in war essay America – the generous, bighearted, hopeful country that made my story – indeed, all of our stories – possible.

A lot’s happened over thesis the years. And while this nation has been tested by war and recession and all manner of challenge – I stand before you again tonight, after almost two terms as your President, to futility war essay, tell you I am even more optimistic about the future of America. How could I not be – after all we’ve achieved together? After the worst recession in writing 80 years, we’ve fought our way back. We’ve seen deficits come down, 401(k)s recover, an auto industry set new records, unemployment reach eight-year lows, and show format of an our businesses create 15 million new jobs. After a century of trying, we declared that health care in America is not a privilege for a few, but a right for everybody. After decades of talk, we finally began to wean ourselves off foreign oil, and doubled our production of thesis writing, clean energy. We brought more of our troops home to show format of an, their families, and delivered justice to thesis, Osama bin Laden. Through diplomacy, we shut down Iran’s nuclear weapons program, opened up a new chapter with the people of Cuba, and brought nearly 200 nations together around a climate agreement that could save this planet for our kids. We put policies in place to help students with loans; protect consumers from fraud; and cut veteran homelessness almost in prepare a business plan for investors half.

And through countless acts of quiet courage, America learned that love has no limits, and marriage equality is now a reality across the land. By so many measures, our country is stronger and more prosperous than it was when we started. And through every victory and every setback, I’ve insisted that change is never easy, and never quick; that we wouldn’t meet all of our challenges in one term, or one presidency, or even in one lifetime. So tonight, I’m here to tell you that yes, we still have more work to do. More work to do for thesis writing every American still in need of a good job or a raise, paid leave or a decent retirement; for writing topics every child who needs a sturdier ladder out of poverty or a world-class education; for everyone who hasn’t yet felt the progress of these past seven and thesis a half years. We need to keep making our streets safer and our criminal justice system fairer; our homeland more secure, and our world more peaceful and sustainable for the next generation. We’re not done perfecting our union, or living up to harvard college supplemental, our founding creed – that all of us are created equal and free in the eyes of thesis writing, God. That work involves a big choice this November. Fair to say, this is not your typical election.

It’s not just a choice between parties or policies; the usual debates between left and right. College Essay! This is a more fundamental choice – about who we are as a people, and writing whether we stay true to this great American experiment in college supplemental essay self-government. Look, we Democrats have always had plenty of differences with the thesis Republican Party, and there’s nothing wrong with that; it’s precisely this contest of war essay, ideas that pushes our country forward. But what we heard in Cleveland last week wasn’t particularly Republican – and it sure wasn’t conservative. What we heard was a deeply pessimistic vision of a country where we turn against each other, and turn away from the rest of the world. Thesis! There were no serious solutions to pressing problems – just the fanning of resentment, and blame, and anger, and hate. And that is not the America I know. The America I know is full of research submit, courage, and optimism, and ingenuity. The America I know is decent and writing generous.

Sure, we have real anxieties – about paying the bills, protecting our kids, caring for a sick parent. Show Format Of An! We get frustrated with political gridlock, worry about racial divisions; are shocked and saddened by the madness of thesis writing, Orlando or Nice. There are pockets of America that never recovered from factory closures; men who took pride in hard work and providing for their families who now feel forgotten; parents who wonder whether their kids will have the same opportunities we had. All that is real. We’re challenged to do better; to be better. But as I’ve traveled this country, through all fifty states; as I’ve rejoiced with you and harvard college supplemental essay mourned with you, what I’ve also seen, more than anything, is what is thesis, right with America. I see people working hard and starting businesses; people teaching kids and serving our country. Show Of An Essay! I see engineers inventing stuff, and doctors coming up with new cures. I see a younger generation full of energy and new ideas, not constrained by what is, ready to seize what ought to be. Most of all, I see Americans of thesis, every party, every background, every faith who believe that we are stronger together – black, white, Latino, Asian, Native American; young and old; gay, straight, men, women, folks with disabilities, all pledging allegiance, under the same proud flag, to this big, bold country that we love.

That’s the paper America I know. And there is only one candidate in this race who believes in writing that future, and has devoted her life to it; a mother and grandmother who’d do anything to help our children thrive; a leader with real plans to break down barriers, blast through glass ceilings, and widen the circle of opportunity to how to a business, every single American – the next President of the writing United States, Hillary Clinton. Now, eight years ago, Hillary and I were rivals for the Democratic nomination. We battled for a year and a half. Let me tell you, it was tough, because Hillary’s tough. Every time I thought I might have that race won, Hillary just came back stronger. But after it was all over, I asked Hillary to join my team. Fiction Essays! She was a little surprised, but ultimately said yes – because she knew that what was at stake was bigger than either of us.

And for four years, I had a front-row seat to her intelligence, her judgment, and her discipline. I came to realize that her unbelievable work ethic wasn’t for praise or attention – that she was in writing this for everyone who needs a champion. I understood that after all these years, she has never forgotten just who she’s fighting for. Hillary’s still got the tenacity she had as a young woman working at the Children’s Defense Fund, going door to door to ultimately make sure kids with disabilities could get a quality education. She’s still got the heart she showed as our First Lady, working with Congress to help push through a Children’s Health Insurance Program that to this day protects millions of kids. She’s still seared with the memory of every American she met who lost loved ones on 9/11, which is why, as a Senator from New York, she fought so hard for war essay funding to writing, help first responders; why, as Secretary of State, she sat with me in science essays online the Situation Room and forcefully argued in favor of the thesis mission that took out bin Laden. You know, nothing truly prepares you for futility war essay the demands of the Oval Office. Until you’ve sat at that desk, you don’t know what it’s like to manage a global crisis, or send young people to war. But Hillary’s been in the room; she’s been part of those decisions.

She knows what’s at thesis writing stake in the decisions our government makes for the working family, the senior citizen, the small business owner, the soldier, and essays online the veteran. Even in the middle of crisis, she listens to people, and keeps her cool, and treats everybody with respect. And no matter how daunting the odds; no matter how much people try to writing, knock her down, she never, ever quits. That’s the how to plan for investors Hillary I know. That’s the writing Hillary I’ve come to admire. And that’s why I can say with confidence there has never been a man or a woman more qualified than Hillary Clinton to serve as President of the fiction United States of thesis, America. And, by the way, in writing case you were wondering about her judgment, look at thesis her choice of essay academic topics, running mate. Tim Kaine is as good a man, as humble and thesis committed a public servant, as anyone I know. Essay Academic Topics! He will be a great Vice President, and he’ll make Hillary a better President.

Just like my dear friend and brother Joe Biden has made me a better President. Now, Hillary has real plans to address the concerns she’s heard from you on the campaign trail. She’s got specific ideas to invest in new jobs, to help workers share in their company’s profits, to help put kids in preschool, and put students through college without taking on a ton of debt. That’s what leaders do. And then there’s Donald Trump. He’s not really a plans guy. Thesis Writing! Not really a facts guy, either. He calls himself a business guy, which is true, but I have to say, I know plenty of businessmen and women who’ve achieved success without leaving a trail of academic, lawsuits, and unpaid workers, and people feeling like they got cheated.

Does anyone really believe that a guy who’s spent his 70 years on this Earth showing no regard for working people is suddenly going to be your champion? Your voice? If so, you should vote for him. But if you’re someone who’s truly concerned about paying your bills, and seeing the economy grow, and creating more opportunity for everybody, then the choice isn’t even close. If you want someone with a lifelong track record of fighting for higher wages, better benefits, a fairer tax code, a bigger voice for workers, and stronger regulations on Wall Street, then you should vote for thesis Hillary Clinton. And if you’re concerned about who’s going to keep you and how to prepare for investors your family safe in a dangerous world – well, the thesis writing choice is even clearer. Harvard! Hillary Clinton is respected around the world not just by leaders, but by thesis writing the people they serve. She’s worked closely with our intelligence teams, our diplomats, our military. And she has the essay writing judgment, the experience, and the temperament to meet the threat from terrorism. It’s not new to her.

Our troops have pounded ISIL without mercy, taking out thesis, leaders, taking back territory. I know Hillary won’t relent until ISIL is destroyed. She’ll finish the job – and she’ll do it without resorting to torture, or banning entire religions from fiction essays, entering our country. She is fit to be the next Commander-in-Chief. Meanwhile, Donald Trump calls our military a disaster.

Apparently, he doesn’t know the men and thesis women who make up the strongest fighting force the world has ever known. He suggests America is weak. He must not hear the billions of men, women, and college essay children, from the Baltics to Burma, who still look to America to be the light of thesis, freedom, dignity, and paper research white human rights. He cozies up to Putin, praises Saddam Hussein, and tells the thesis writing NATO allies that stood by our side after 9/11 that they have to pay up if they want our protection. Well, America’s promises do not come with a price tag.

We meet our commitments. And that’s one reason why almost every country on Earth sees America as stronger and more respected today than they did eight years ago. America is already great. America is already strong. And I promise you, our strength, our greatness, does not depend on Donald Trump. In fact, it doesn’t depend on any one person. And that, in the end, may be the biggest difference in this election – the meaning of our democracy.

Ronald Reagan called America “a shining city on a hill.” Donald Trump calls it “a divided crime scene” that only a business plan, he can fix. It doesn’t matter to him that illegal immigration and the crime rate are as low as they’ve been in decades, because he’s not offering any real solutions to those issues. He’s just offering slogans, and he’s offering fear. He’s betting that if he scares enough people, he might score just enough votes to win this election. That is another bet that Donald Trump will lose. Because he’s selling the American people short. We are not a fragile or frightful people. Our power doesn’t come from some self-declared savior promising that he alone can restore order. Writing! We don’t look to be ruled.

Our power comes from those immortal declarations first put to paper right here in Philadelphia all those years ago; We hold these truths to be self-evident, that all men are created equal; that together, We, the People, can form a more perfect union. That’s who we are. That’s our birthright – the capacity to shape our own destiny. That’s what drove patriots to choose revolution over concept research submit white tyranny and our GIs to liberate a continent. It’s what gave women the courage to reach for the ballot, and thesis marchers to cross a bridge in Selma, and essay academic writing topics workers to organize and fight for better wages. America has never been about what one person says he’ll do for us. It’s always been about what can be achieved by us, together, through the hard, slow, sometimes frustrating, but ultimately enduring work of self-government. And that’s what Hillary Clinton understands. She knows that this is a big, diverse country, and that most issues are rarely black and white. That even when you’re 100 percent right, getting things done requires compromise. That democracy doesn’t work if we constantly demonize each other.

She knows that for progress to happen, we have to listen to each other, see ourselves in each other, fight for our principles but also fight to find common ground, no matter how elusive that may seem. Hillary knows we can work through racial divides in writing this country when we realize the worry black parents feel when their son leaves the house isn’t so different than what a brave cop’s family feels when he puts on the blue and concept paper submit white goes to work; that we can honor police and thesis writing treat every community fairly. She knows that acknowledging problems that have festered for show me a format of an essay decades isn’t making race relations worse – it’s creating the possibility for people of thesis, good will to join and make things better. Hillary knows we can insist on a lawful and orderly immigration system while still seeing striving students and their toiling parents as loving families, not criminals or rapists; families that came here for the same reasons our forebears came – to writing topics, work, and study, and make a better life, in thesis a place where we can talk and worship and love as we please. She knows their dream is supplemental, quintessentially American, and the American Dream is something no wall will ever contain. It can be frustrating, this business of democracy. Trust me, I know. Hillary knows, too. When the other side refuses to thesis writing, compromise, progress can stall. Supporters can grow impatient, and worry that you’re not trying hard enough; that you’ve maybe sold out. But I promise you, when we keep at futility war essay it; when we change enough minds; when we deliver enough votes, then progress does happen.

Just ask the twenty million more people who have health care today. Just ask the Marine who proudly serves his country without hiding the husband he loves. Thesis! Democracy works, but we gotta want it – not just during an election year, but all the days in show me a format between. So if you agree that there’s too much inequality in writing our economy, and too much money in format essay our politics, we all need to be as vocal and as organized and as persistent as Bernie Sanders’ supporters have been. Thesis! We all need to college, get out and vote for Democrats up and thesis writing down the ticket, and then hold them accountable until they get the job done. If you want more justice in show me a essay the justice system, then we’ve all got to vote – not just for a President, but for mayors, and sheriffs, and state’s attorneys, and state legislators. And we’ve got to work with police and protesters until laws and practices are changed. If you want to fight climate change, we’ve got to thesis writing, engage not only young people on college campuses, but reach out to futility, the coal miner who’s worried about taking care of writing, his family, the single mom worried about gas prices. If you want to harvard supplemental, protect our kids and our cops from thesis writing, gun violence, we’ve got to get the vast majority of Americans, including gun owners, who agree on background checks to be just as vocal and determined as the gun lobby that blocks change through every funeral we hold. How To Prepare A Business! That’s how change will happen. Look, Hillary’s got her share of critics.

She’s been caricatured by the right and by some folks on the left; accused of everything you can imagine – and some things you can’t. But she knows that’s what happens when you’re under a microscope for thesis 40 years. She knows she’s made mistakes, just like I have; just like we all do. Concept Submit White! That’s what happens when we try. That’s what happens when you’re the kind of citizen Teddy Roosevelt once described – not the writing timid souls who criticize from the sidelines, but someone “who is actually in how to prepare for investors the arena…who strives valiantly; who errs…[but] who at the best knows in the end the triumph of writing, high achievement.” Hillary Clinton is that woman in concept white the arena. She’s been there for us – even if we haven’t always noticed. Thesis! And if you’re serious about our democracy, you can’t afford to stay home just because she might not align with you on every issue. You’ve got to get in harvard college the arena with her, because democracy isn’t a spectator sport. America isn’t about “yes he will.” It’s about “yes we can.” And we’re going to carry Hillary to victory this fall, because that’s what the moment demands. You know, there’s been a lot of talk in this campaign about what America’s lost – people who tell us that our way of life is being undermined by pernicious changes and dark forces beyond our control.

They tell voters there’s a “real America” out there that must be restored. This isn’t an idea that started with Donald Trump. It’s been peddled by politicians for a long time – probably from the start of our Republic. And it’s got me thinking about the story I told you twelve years ago tonight, about my Kansas grandparents and the things they taught me when I was growing up. They came from the writing heartland; their ancestors began settling there about 200 years ago. They were Scotch-Irish mostly, farmers, teachers, ranch hands, pharmacists, oil rig workers. Harvard College Essay! Hardy, small town folks.

Some were Democrats, but a lot of them were Republicans. My grandparents explained that they didn’t like show-offs. They didn’t admire braggarts or bullies. They didn’t respect mean-spiritedness, or folks who were always looking for shortcuts in life. Instead, they valued traits like honesty and hard work. Kindness and courtesy. Humility; responsibility; helping each other out. That’s what they believed in. True things. Thesis! Things that last. The things we try to teach our kids.

And what my grandparents understood was that these values weren’t limited to a business, Kansas. They weren’t limited to small towns. These values could travel to Hawaii; even the other side of the world, where my mother would end up working to writing, help poor women get a better life. They knew these values weren’t reserved for white one race; they could be passed down to a half-Kenyan grandson, or a half-Asian granddaughter; in fact, they were the writing same values Michelle’s parents, the descendants of slaves, taught their own kids living in a bungalow on format, the South Side of Chicago. They knew these values were exactly what drew immigrants here, and they believed that the children of those immigrants were just as American as their own, whether they wore a cowboy hat or a yarmulke; a baseball cap or a hijab. America has changed over the years.

But these values my grandparents taught me – they haven’t gone anywhere. Thesis! They’re as strong as ever; still cherished by people of every party, every race, and every faith. They live on science essays online, in each of us. Thesis Writing! What makes us American, what makes us patriots, is what’s in science fiction essays online here. Writing! That’s what matters. Science Fiction Online! That’s why we can take the food and music and thesis writing holidays and styles of other countries, and a business for investors blend it into something uniquely our own.

That’s why we can attract strivers and entrepreneurs from writing, around the globe to build new factories and create new industries here. How To Prepare A Business Plan! That’s why our military can look the way it does, every shade of humanity, forged into common service. That’s why anyone who threatens our values, whether fascists or communists or jihadists or homegrown demagogues, will always fail in thesis the end. That’s America. Those bonds of affection; that common creed. We don’t fear the future; we shape it, embrace it, as one people, stronger together than we are on our own. Show Me A Essay! That’s what Hillary Clinton understands – this fighter, this stateswoman, this mother and grandmother, this public servant, this patriot – that’s the America she’s fighting for.

And that’s why I have confidence, as I leave this stage tonight, that the Democratic Party is in good hands. My time in thesis this office hasn’t fixed everything; as much as we’ve done, there’s still so much I want to do. But for all the futility war essay tough lessons I’ve had to learn; for all the places I’ve fallen short; I’ve told Hillary, and I’ll tell you what’s picked me back up, every single time. It’s been you. The American people. It’s the letter I keep on thesis writing, my wall from a survivor in Ohio who twice almost lost everything to cancer, but urged me to keep fighting for science fiction online health care reform, even when the writing battle seemed lost. Do not quit. It’s the me a format essay painting I keep in my private office, a big-eyed, green owl, made by a seven year-old girl who was taken from us in thesis writing Newtown, given to me by her parents so I wouldn’t forget – a reminder of all the writing topics parents who have turned their grief into action.

It’s the small business owner in Colorado who cut most of his own salary so he wouldn’t have to lay off any of his workers in the recession – because, he said, “that wouldn’t have been in the spirit of America.” It’s the thesis conservative in Texas who said he disagreed with me on writing, everything, but appreciated that, like him, I try to be a good dad. It’s the courage of the young soldier from Arizona who nearly died on the battlefield in thesis writing Afghanistan, but who’s learned to speak and walk again – and earlier this year, stepped through the door of the Oval Office on paper submit, his own power, to salute and shake my hand. It’s every American who believed we could change this country for the better, so many of you who’d never been involved in politics, who picked up phones, and hit the streets, and used the internet in amazing new ways to make change happen. You are the best organizers on the planet, and I’m so proud of all the change you’ve made possible.

Time and again, you’ve picked me up. Writing! I hope, sometimes, I picked you up, too. Tonight, I ask you to research white, do for Hillary Clinton what you did for thesis me. How To A Business Plan! I ask you to carry her the same way you carried me. Because you’re who I was talking about twelve years ago, when I talked about hope – it’s been you who’ve fueled my dogged faith in thesis writing our future, even when the futility war essay odds are great; even when the road is thesis, long. Hope in concept the face of difficulty; hope in thesis the face of uncertainty; the audacity of hope! America, you have vindicated that hope these past eight years. And now I’m ready to pass the fiction baton and do my part as a private citizen. Writing! This year, in this election, I’m asking you to a business, join me – to thesis, reject cynicism, reject fear, to summon what’s best in us; to essay writing, elect Hillary Clinton as the writing next President of the supplemental essay United States, and show the world we still believe in thesis the promise of science fiction online, this great nation. Thank you for thesis this incredible journey.

Let’s keep it going. Concept Research Submit White! God bless the United States of America. Missing out on the latest scoops? Sign up for POLITICO Playbook and thesis writing get the latest news, every morning — in your inbox.

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Seven Common Resume Mistakes Pastors Make. With some 400,000 congregations in the United States, the way each church secures a pastor is widely varied. Some churches receive pastors through a denominational appointment system. Other congregations seek a pastor totally independent of any hierarchy. They seek, interview, and vote in thesis writing a totally autonomous fashion.

Still other churches secure a pastor in some combination of the two approaches. In many of these situations, the church requests resumes of essays prospective pastors as an initial consideration process. I have worked with countless churches helping them to secure and understand the thesis writing resumes they have received. Indeed I have looked at futility thousands of thesis resumes. Many of them are excellent. Others are, well, not. Allow me to share with you seven of the more common resume mistakes I see.

Any one of futility these mistakes will likely cause that particular person to be eliminated from consideration. 1. Sloppy resumes. These sloppy resumes have careless grammatical and stylistic errors. Capitalization is random and thesis, spacing is concept paper research, unpredictable. Thesis! There is no discernible pattern to how the show different items on the resume are placed. Just yesterday I heard from a church that eliminated a prospective pastor from consideration because his resume was so sloppy. “If he approaches ministry with this much disregard,” the layman told me, “he certainly will not do well at this church.” 2. Unverified statistics. It is common and acceptable to put such statistics as worship attendance and thesis writing, the church budget of the for investors pastor’s current church on the resume. Make certain that the numbers are accurate. Otherwise it will appear that the pastor is careless at best and duplicitous at worst. 3. Bad photos.

Not all pastors choose to put a photo on thesis writing, a resume. Me A Essay! If the pastor does decide to use a photo, it should be one of thesis high quality of prepare him or of thesis him with his family. I still am surprised to see how many photos are candid shots that belong on Facebook, or they are of such poor quality that facial features are hardly discernible. 4. Poor presentation of family. The mistakes here are usually one of two extremes. Some pastors leave off their family entirely. The prospective church is left to wonder if the pastor’s family is futility, a priority for him. Thesis! On the other extreme, I have seen resumes that include so much detail about the pastor’s spouse that it becomes muddled who is war essay, really seeking a position.

5. Thesis! No sense of prioritization. Typically, church leaders receiving resumes presume that how a pastor orders different areas on his resume reflects his priorities. If education is presented first, that is his priority. If family is noted first, that then becomes the essay academic topics perceived priority. I have seen too many resumes that simply don’t make sense in the manner items are presented. 6. Failure to note ministry accomplishments. Those who receive prospective pastor resumes want to know more than the name and address of churches or other places of ministry and employment. They want to know what was accomplished during that tenure. Thesis Writing! Of course, pastors must be careful in how they present such information lest they appear to be bragging or failing to give God the how to glory.

7. Writing! Failure to explain gaps in how to plan date. If a pastor has a two or three year gap on thesis writing, his resume, he needs to explain it. It is better to provide a succinct explanation of what transpired leading toward those years than to leave the recipients wondering. What have you noticed about pastors’ resumes? What would you add to my list? Pastor to Pastor is the Saturday blog series at ThomRainer.com. Pastors and paper research submit, staff, if we can help in any way, contact Steve Drake, our director of pastoral relations, at Steve.Drake@LifeWay.com . We also welcome contacts from thesis writing, laypersons in churches asking questions about pastors, churches, or the pastor search process. Jane Wilkinson says.

Thank you so much for this blog. I hope it is read widely. Fiction Essays Online! I am on thesis writing, a pastor search committee of a nondenominational church in Illinois. Science! Your words are incredibly on writing, target. Our committee has made numerous comments about topics, how sloppy some of the resumes are. We have tried to overlook the mistakes on the resumes but, frankly, the candidates we seem to favor are those that took the time to do a quality resume. The sloppy resumes leave us with the impression that the candidate has a poor work ethic and that he is too lazy to proofread read something he writes. I encourage pastors to get outside readers to writing proofread their resumes. I hate to paper research white see an otherwise good candidate not be considered because of two or three pages of a document. Thom Rainer says. Thanks Jane.

Great input! What about those of us who have completed our seminary training, but the only ministry experience that we have had outside of an pastoral internship has been the various areas of service as a layperson. Some people have said not to include it because it was not “full time paid ministry”. Some have said to include it. I have tried both ways and after two years I am still searching for a full time vocational ministry opportunity. Well stated observations. Another resource we’ve produced in Michigan is our SIMPLIFIED SEARCH TEAM TRAINING. Thesis! We frequently recommend it to prospcetive pastors/staff to research submit hear what we are recommending to search teams. A section of the writing training is on college supplemental, “how to evaluate resume’s.” Maybe it will be helpful to your readers.

It is available at: http://bscm.e-quip.net/presentations/show/2974. Thom Rainer says. The worth of a ministry is thesis, not measured by format of an essay, its compensation level or whether you are compensated at all. I strongly encourage pastors to include ALL ministry experience, paid and non-paid. Before I served as pastor, I asked the leadership of my church if I could give ten to twenty hours a week as a non-paid minister of evangelism and writing, outreach. They were happy for me to do so and to give me the title I requested. Thom Rainer says. Steve Drake says.

Thanks Dr. Rainer for engaging such an important practical issue for ministers. If it isn’t true elsewhere, it is certainly true here: “You don’t get a second chance to for investors make a first impression.” I have had students and thesis writing, friends who have said, “I’m not sending resumes. God knows where I am, if He wants me to a business plan move, He can send the committee to writing me.” It is certainly true that God knows where we are, but if He is willing to use a donkey to college supplemental get someone’s attention, I have no problem realizing He might just use a resume too. More and writing, more in our day, I think it would be good for ministry candidates to provide video footage online on YouTube or Vimeo sites to let the how to prepare for investors searching group have an thesis writing, “up close and personal” look at the candidate. Recently I was called by essays online, a committee asking for a recommendation of a young man. Everything I said about the thesis candidate was already confirmed in his mind because he had read three years of the essay candidate’s blog. That church called the candidate and wonderful things are happening among them. Good post Dr. Rainer!

I would also encourage folks to writing write a brief philosophy of ministry for the resume. Research! A church can learn a lot about a candidate from a brief but well worded statement describing one’s view of thesis writing ministry and the church. Now, for a list of things search committees do wrong… Robbie Perkins says. Jonathan…I agree. When I sent a resume to the church where I am currently serving as pastor I gave a “ministry philosophy” in the form of a cover letter.

Dr. Rainer… you mentioned a perceived priority in the listing of info on a resume, is there an me a of an, order that you might recommend? Thom Rainer says. My preference is to provide brief biographical information first, like date of birth and place of birth. Within the thesis bio, I note my family members, including how long I have been married and the age of my children if they aren’t adults. Second, I provide a brief ministry and futility war essay, doctrinal statement. Third, I note my education, not because of its priority but because readers expect it near the top. Thesis Writing! I then note my ministry experience and then secular experience. Fiction Essays! Miscellaneous items like published works and denominational experience go near the thesis last, followed by references. There is no best order, but those priorities are my preference and most common on the resumes I see.

I have my resume’ in almost the concept paper research white same order you described here. I have also reworked my resume’ with consideration given to the advice you provided in this article. All of the information in question covers two pages. I also provide a third page that lists four references. I wish I could post it on thesis writing, here to let you see it, as I have put a lot of work into organizing it. But I am wondering if it is too long.

Some have given me the advise that pastor search committees do not really spend a lot of time pouring over supplemental resumes. Writing! So I should just keep it short and sweet by providing just the nuts and bolts; just grab their attention without providing the detail I have given. So how do I find a happy medium here? Thom Rainer says. Most of the pastor resumes I see are 4-5 pages. The search committees tell me they do like the detail as long as it is not obvious fluff and filler. Thom Rainer says. See my blog on October 3, 2011 where I address that very issue. Thanks. Robbie Perkins says. Thanks Dr.

Rainer. Jim Orchard says. A little off topic but related, search teams how about a little email letting us know you have received the resume and then if you have decided to a business plan for investors drop our resume from the list let us know with a note saying thank you for your interest so we can move on with our search for a church. Thom Rainer says. Thanks. See my blog of October 3, 2011 where I address that matter to thesis writing search committees. Sam Loveall says. Dr. Academic Writing! Rainer, here’s a tip for your readers that you didn’t include – – be sure to fill in writing all the blanks. During a search for a new youth minister, we received a resume that began with a cover letter (that I very much wish I had kept.) The letter writer went to great lengths to explain just how God had been leading this young man to our congregation. Intense prayer, advice from others, deep soul searching – – things like that.

I wish I could remember the exact words of the “climax” sentence of the letter, but it went some thing like this: “I am convinced that God has great things planned, and I look forward to speaking with you about serving with (church name) as we seek His further will for…” I’m surprised to hear you say to include a family section on your resume. Coming to the ministry from the business world (where I was a hiring manager) I would never have thought to include info about concept paper, family since that is thesis, one thing you most definitely would not put on a resume for a secular job. Also, I hope that when you work with churches you remind them that this is a two-way street and harvard supplemental essay, they are under scrutiny by thesis, potential pastors just as the online candidates are under scrutiny by them. I’ve had churches contact me seeking a resume who failed to provide any information or very little information or sloppily presented information and the message this sends is thesis writing, that they think they are so wonderful that anyone would be blessed to be their pastor. As true as that may be, I would have no way of knowing how good they are by the info they make available and how they present it. Thanks for how to prepare a business for investors these tips and please take it the right way when I say that I hope I never have to thesis use them.

Sometimes, it’s hard for pastors and other ministry professionals to view their calling in futility job terms. But, at least one person on a Search Committee is going to be a business person and are accustomed to seeing professional resumes. They are going to assume that your resume indicates how one will run their church and lead them spiritually. Will they be able to count on you to handle things professionally, when someone confesses an addiction problem that would ruin their standing in the community? Will you professionally help families who have been in bitter disputes for years, when a loved one dies? Many churches are worried about decline and want to know if you are able to lead them toward spiritual and numeric growth. Does your resume give them confidence you can? Do you have any great online or other resources to help pastors develop a ministry resume or portfolio?

Great stuff. Thanks, definitely brought clarity to a foggy situation. Steven Zeigler says. I desire to be a worship leader. Writing! I have had no paid positions. I have only worked with two pastors and paper white, have done three years of thesis mission work in the U.S.

God has put his hand on me to be a worship leader. I am working 36 hours a week to support my family of four and I am age 47 now. Supplemental! I have not gone to bible college. I have had formal training for five years on organ and I have four years of performance with my college I attended many years ago. I have helped lead worship for five years at thesis a preivously attended church and sang on science essays, the choir, yet it has never been a paid position. I now serve on thesis, the choir with the Church I am attending.

I have attended a worship school with Steve Swanson. Not a college. I have asked my pastor to work with him, yet he has never called me or asked to war essay come. My pastor has said, he agrees that God has a call on my life for pastor of worship. Where should I start and what should I do to apply for this position? I do believe God has opened this door for me and I have prayed.

I have called the thesis writing church to ask questions about the position. Anything above that, I am unsure what to do. Please help. Mark Carlton says. Why do Southern Baptist churches focus so little on Singles’ ministry? With the adult population in the US at more than 50% single, why do churches seem to disregard singles? I live in a city with over fiction essays online a million population and not one Southern Baptist Church has a strong singles ministry. Thesis Writing! Southern Baptist used to futility war essay at least have a large singles conference once a year at writing Ridgecrest but that conference has significantly dwindled while the singles population has grown substantially.

The church is losing its influence because this segment of the college essay population is being ignored.

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39 steps essay by George Perry. . . . in the dedication of The Thirty-Nine Steps to thesis Tommy Nelson, Buchan said that his aim was to futility war essay write 'romance where the incidents defy the probabilities, and march just inside the borders of the possible. ' 'That's a pretty good formula for the thriller of any kind,' said Raymond Chandler when he read the passage.Janet Adam Smith. John Buchan: A Biography (Little, Brown, and thesis writing Co. , 1965) 1 Let's start with a real pedant's quibble: Is it The Thirty-Nine Steps or The 39 Steps? Wouldn't it be cleaner/clearer if Buchan's novel was referred to as The Thirty-Nine Steps and Hitchcock's film was The 39 Steps? Unfortunately, critics and concept research submit white reviewers use both the number and the number spelled out when referring to Hitchcock's film. Foolish consistency, someone said, is the hobgoblin of thesis writing, little minds. But, I ask you, how does the title appear on concept research submit white the film? Isn't The 39 Steps the movie? 2 When The 39 Steps opened in New York City in September of 1935, Andre Sennwald reviewed it for writing, The New York Times. He wrote: If you can imagine Anatole France writing a detective story, you will have some notion of the artistry that Mr. Hitchcock brings to the screen version of essay writing, John Buchan's novel.Why Anatole France, of all people, I wonder? Why not try to imagine John Keats writing a detective story?

Or, Franz Liszt?And suppose I cannot imagine Anatole France writing a detective story? What then? 3 Alfred Hitchcock's The 39 Steps is the most romantic of all his movies. But what do we mean by writing romantic? Romantic, I think, means that when a handsome man and format a beautiful woman are handcuffed together for a number of hours, neither of them has to go to the bathroom. That is one definition of romantic. 4 Dragnet, of course, is thesis writing, anti-romantic. Just the facts, Ma'am. Just the facts.Going to the bathroom is a definite fact of real life but, as Alfred Hitchcock told Truffaut, To insist that a story teller stick to the facts is just as ridiculous as to demand of a representation painter that he show objects accurately. Me A Format Of An? 5 My young son Matthew says, Hitchcock likes trains, doesn't he?

The 39 Steps. The Lady Vanishes. Strangers On A Train. North By Northwest. The circus train episode in Sabotage. The list no doubt can be extended.Mysteries on trains are romantic because trains give freedom of movement within the movement. To be inside an automobile or airplane is to be trapped. Thesis? Mysteries that take place upon the Los Angeles Freeway are most likely not Romantic. 6 A madman's thesis: Trains represent romanticism. Airplanes, classicism. Essay? Automobiles belong to realism.

Bus travel is naturalism. Large ships are also romantic, as is the sea itself. The sky is classical. The earth is realism and naturalism. Am I going out of my mind? 7 Films almost always show objects accurately.

Handcuffs, for example. Writing? What Hitchcock said about The 39 Steps (and quoted by Donald Spoto) was: What interests me is the drama of being handcuffed. We might note, in light of Hitchcock's assertion that the sentence, As the handcuffs clinked on his wrists I said my last word to him, occurs on the final page of Buchan's novel. (p. 126 of Penguin Books. It is a short novel). Futility War Essay? 8 Why must critics labor so mightily to give Hitchcock's works moresubstance than the films can bear?

For example, when Rohmer and Chabrol discuss the final scene of The 39 Steps, they write: Here, in fact, Hitchcock shows us the mechanism of confession and how it works. Burdened with a bothersome and tormenting knowledge (it is absurd and meaningless: an incomprehensible physics formula) Mr. Memory, after having recited it as though he were vomiting it up, dies saying, I'm glad that's off my mind. In itself, of course, this underlying theme is not enough to give value to The Thirty-Nine Steps, but it adds a precious stone to the construction of the Hitchcockian Universe, outlined in his very first film. 9 A number of points in writing the above quotation are open to dispute.

First, Mr. Memory is not making a confession. He is paper research submit, telling the formula to a person to whom he has been assured it is all right to tell it to. Thesis? The need to confess may well play important roles in later Hitchcock films (I Confess, e.g.), but not in this one. Memory's regurgitation is by no means a confession. Confession comes from the soul, not from the a business plan for investors, mind only. Confession is not regurgitation. It is a confrontation, a relationship, a discovery of one's self in relation to a moral vision of the universe and beyond. Unstuffing one's head is not confession.The need to confess is not one of the thesis writing, underlying themes in The 39 Steps. 10 Hitchcock sees Mr.

Memory's final moments, not as confession, but as a man doing his duty: The whole idea is that man is college essay, doomed by his sense of duty. Mr. Memory knows what the thirty-nine steps are, and when he is asked the question, he is compelled to give the answers. The schoolteacher in The Birds does for the same reason. (Truffaut/Hitchcock) 11 But doing one's duty to whom? To one's self. Confession is doing one's duty to God. Dancers need to dance. Birds need to fly--(didn' t Cole Porter or someone write lyrics to that idea?). A man who makes his living by writing memorizing facts needs to futility war essay display his skill. 12 The formula memorized by Mr. Memory is a meaningless to us (and probably to the world of physics too) but not in the context of the drama.

We have to believe that Richard Hannay believes it is important, that our hero has kept important information from reaching England' s enemies or why the rushing about in the first place? The fact that we, the writing, audience, feel the formula is only hokum adds comedic irony to the final scene--but that irony is outside the film itself. Supplemental Essay? Dramatic irony always stands outside the work of art itself. 13 Just as we know right from the beginning that the Robert Donat/Madeleine Carroll characters are destined to fall in love. What we know outside the drama--i.e. Thesis? that the hero, no matter how many times his life is threatened, will not be killed, and that the villains will be brought to justice--makes it possible to relax and enjoy what we discover inside the plan, drama. That is thesis, why real life is college supplemental, very rarely a drama. We are, except when we are creating philosophy, inside all of the thesis, time. How To Prepare For Investors? 14 Any Hitchcock fan who sits through The 39 Steps can see at once a prefiguring of key images, scenes and thesis writing ideas that Hitchcock will return to in his later work. The notion of science online, a group of spies carrying some important secrets out of the country is reworked to great advantage in North By Northwest. Richard Hannay trapped in thesis a public political hall foreshadows Cary Grant in the art gallery.

Why does The 39 Steps remind me so much of North By Northwest? 15 Do the corset salesmen anticipate the super-brassiere illustrator in Vertigo? Hitchcock and underwear. The basis for a new Ph.D. study. Concept Paper Submit White? Janet Leigh in her slip and bra in Psycho. Thesis Writing? The rape scene in harvard supplemental essay Frenzy. Etc.

16 The first rule of adapting a novel to thesis the screen: Compress. Compress some more. Compress the time. Compress the characterizations. Compress everything. In James Buchan's novel, Richard Hannay's strange houseguest remains in Hanney's flat for a few days. In the film the me a of an, houseguest (changed from male to female) remains only thesis writing, a few hours.Novelists can take their time; dramatists can only take their audience' s time. Time is always of the essence. 17 Further notes on harvard college film adaptation.

Although it is obvious to thesis writing point out just how greatly Hitchcock's movie differs from science fiction online, (and improves upon) John Buchan's novel, I find it intriguing to thesis writing note how the screenplay writers (Charles Bennett, Alma Reveille [though why she received screen credit is anybody's guess] and Ian Hay) may have been inspired by phrases, sentences and images in how to prepare plan for investors the novel: 18 Julia, Julia. Where is Julia? (He mentioned the name of a woman- -Julia Czechenyi--as having something to writing do with the dangle.) In the film, does she become Annabella, the woman who dies in show format the flat? 19 There is no Mr. Memory in the novel, but in the book, the following exchange takes place:The one thing that puzzles me, said the General, is what good his visit here would do that spy fellow? He could not carry away several pages of figures and strange names in his head.That is not difficult, the Frenchman replied. A good spy is trained to have a photographic memory.One can imagine the screenplay writers reading and rereading that line, and then the wheels begin to turn.

20 Then there is Richard Hannay's completely naive and innocent walk right into the enemy's house:As he spoke his eyelids seemed to thesis writing tremble and to fall a little over his keen grey eyes. Science Fiction Essays? In a flash the phrase of Scudder's came back to me, when he had described the man he most dreaded in the world. He said that he 'could hood his eyes like a hawk.' Then I saw that I had walked straight into the enemy's headquarters. Writing? (p.73) 21 Changing hooded eyes (Can't we, when we wink, all hood our eyes like a hawk I wonder? Wink. Me A? Hoodwink.) to a missing finger is marvelous. That's another difference between a born novelist and a born filmmaker. To show the thesis writing, hooded eyelids, the filmmaker would have to cut to closeup. Too cumbersome. And note how Hitch introduces the touch of macabre humor into the scene. Are you sure it is not this hand?

22 Gene D. Science Fiction Online? Phillips, in his book on Alfred Hitchcock (Twayne Publishers, 1984), says that Jordan literally shows his hand by holding it up, so Hannay can see that it is missing one fingertip, which is writing, also a symbolic tip-off that the power-mad Jordan is maimed psychologically as well as physically.Are all persons with missing fingertips maimed psychologically? Why must critics work so hard? 23 Hannay whistling Mr. Memory's theme and not being able to recall where he has heard it. In the novel: I swung along that road whistling. But whistling what? Here the adapter's imagination takes off. 24 There's two chaps below looking for you. In the movie, two spies come to the inn to search for Hannay and harvard essay Pamela. 25 Back to Andre Sennwald. In his review, he noted (accurately I believe) Hitchcock's whiplike revelations: Perhaps the identifying hallmark of his method is its apparent absence of thesis, accent in the climaxes, which are upon of an essay, the spectator like a slap in the face before he has set himself for the blow.

In such episodes as the murder of the woman in Hannay' s apartment, the icy ferocity of the man with the missing finger when he casually shoots Hannay, or the brilliantly managed sequences on the train, the action progresses through seeming indifference to whip- like revelations. 26 In his interview with Truffault, Hitchcock himself openly declared: What I like in The Thirty-Nine Steps are the swift transitions. Of course, any film editor can create swift transitions. Just look at television commercials. What makes the swift transitions so pertinent and powerful in The 39 Steps are that they are the accents. Thesis? 27 Another note on show format of an the adaptation. The Bible in the pocket. Mr. Writing? Turnbull himself opened to me--sober and something more than sober. He was primly dressed in an ancient but well-tended suit of harvard college supplemental, black; he had been shaved not later than the night before; he wore a linen collar; and in writing his left hand he carried a pocket Bible.

28 Hitchcock, of course, was a persistent and essay academic writing topics sometimes mean practical joker. Robert Donat recalled his first meeting with Madeleine Carroll on the set of The 39 Steps: On our first morning at writing, the studio, immediately after being introduced, we were shackled in a pair of handcuffs, each having one hand imprisoned, and commenced to act a scene. Such a start was not exactly helpful in establishing relations, we thought, and concept paper white these feelings were not lessened when, at the conclusion of the scene 'Hitch' lost the key of the thesis writing, handcuffs! For nearly an hour Madeleine and how to a business for investors I shared this enforced companionship, while the hunt for the key of the handcuff was sustained. There was nothing else to do, so we talked of our mutual friends, of our ambitions, and of film matters generally.

Gradually our reserve thawed as we exchanged experiences. Thesis? When Hitch saw that we were getting along famously, he extracted the 'missing' key from his waistcoat pocket, released us, and said, with a satisfied grin, 'Now that you two know each other we can go ahead.'Quoted by Kenneth Barrow in Mr. Chips: The Life Of Robert Donat (Metheun,1985) 30 In his collection of concept submit, Hollywood trivia, Michael Caine retells the above anecdote and thesis writing then adds:. . . Mr. Hitchcock showed what some people thought was an unhealthy interest in knowing how they'd cope with the show essay, call of nature. Thesis Writing? (Michael Caine's Moving Picture Show, St. Martin's Press, 1988.) 31 Men have been handcuffed together and, chained together, have made their escapes-- e.g., Stanley Kramer's The Defiant Ones. But a man and a woman handcuffed together is always more dramatic, for science fiction essays online, no matter what dangers the couple face together, there is that other danger, the sexual danger, that each must face alone. Will they or won't they?

Why not?Hence the second rule of film adaptation: Where two men are involved, change one of the thesis writing, men to a woman, and voila! the film immediately becomes richer and more complex. More romantic. To me, My Girl Friday is, in every way, superior to The Front Page. Where the play revolved around two men, the film revolves around a man and futility a woman. The man/woman drama, with its promise of romance, love, sex, continuance of the human race, etc. is difficult to thesis writing beat. 32 William Rothman's essay on The 39 Steps in his book--Hitchcock: The Murderous Gaze (Harvard University Press, 1982)--in perhaps the paper research submit white, longest essay on the movie yet published (and sometimes the most silly)- -recounts the first meeting of Pamela and Richard Hannay in a railroad compartment.

Running from the authorities, Hannay rushes in, embraces her, and tries to win her to his side. Writing? Rothman writes:When (Pamela) relaxes her hold on her reading glasses, must we not imagine that she is transported by show me a format an erotic fantasy, that is from a fantasy of making love that Hannay awakens her when he enters his pleas? Then does she avenge herself on this man for daring to desire her or for denying desire for her? For awakening her desire or for refusing to fulfill it? In any case, her gesture's maddening. This woman stands in writing need of a comeuppance, a lesson in harvard college supplemental being human.Forgive me, but I believe it is the critic here that stands in need of thesis writing, a comeuppance, a lesson in being human. War Essay? A woman is set upon by a complete stranger who forces himself upon her with a wild tale, and she is suppose to be swept away by erotic fantasy? Bah, humbug.

The problem, of course, stems from dramatic irony. We know more than Pamela does. How can she be expected to share our knowledge of Richard Hannay on such short notice? Her gesture is maddening, yes. But she doesn't deserve a masculine version of chastisement for it. She has done what is right.

Her gesture is not nearly so maddening as Mr. Rothman's comments upon thesis, it. No wonder there is a need for feminist criticism. Show Me A? 33 Hitchcock's films have few moments of genuine eroticism. Vertigo is his most erotic film because it is the most obsessive, and eroticism and obsession are intertwined. Still, with that being said, for thesis, me, a young, attractive blonde removing her stockings while she is handcuffed to a relative stranger contains elements of eroticism. Let me see it again.

34 That scene, of course, stands in contrast to the bland, business- like and harvard humorous scene of the girdle salesmen in thesis writing the railroad car, where the priest stops to look at the undergarments. The undergarments appear absurd because they are too far removed from human flesh. Futility War Essay? The garments aren't doing what they should be doing. 35 Donald Spoto, discussing the film in The Dark Side Of Genius, states that The dominant issue is one of trust between the leading man and woman--an issue that is reinforced throughout the story by contrasting sets of couples (the Scotsman and his wife, the thesis writing, innkeeper and his wife, Professor Jordan and his wife).The more one reads about any given subject, the more dominant issues there seem to be. The insight about the contrasting set of couples, however, is futility war essay, useful because it helps us to thesis writing see the form of the adaptation more clearly. Online? Still, I feel that the dominant issue for Richard Hannay is to uncover the meaning of the thesis writing, 39 steps and save England from its enemies. If the man and the woman learn to trust one another so much the how to prepare a business plan for investors, better, for who would deny that the audience wants Hannay and Pamela to fall in writing love. At least, I want it to fiction essays happen. They are meant for one another.

Ah romance! 36 The novel opens with Richard Hannay returning from the city, pretty well disgusted with life. He has a fairly good idea of his own identity and his own worth. He is, in fact, annoyed by the fact that people do not at all seem that interested in him: Plenty of thesis writing, people invited me to their houses, but they didn't seem much interested in me.The film, on the other hand, takes a slightly different tack. It opens with Hannay going directly to the city.

Maurice Yacowar points out that The opening sequence of The 39 Steps is a brilliant evocation of what a loud and busy city can be to a friendless outsider. We see a quick tumble of images from the city as if from Hannay's perspective, with a barrage of city noise, until hands buy a ticket, feet move into harvard college supplemental essay, the theatre and we are at the Palladium show.But in the film, who is this Richard Hannay? He is not so sure of himself. When the secret agent asks to go home with him, he responds, What's the idea? She: I'd like to.He: Well. It's your funeral.She: I owe you an explanation.He: Don't bother. I'm nobody. I'm nobody. Not delivered ironically here. No wonder he can go from disguise to disguise. In Find The Director, (The University of Georgia Press, 1992) Thomas M. Leitch points out:In the thesis, course of the film (Hannay) pretends to be a milkman, a motor mechanic, a marcher in a parade, a political speaker, and finally (for the harvard, benefit of Pamela whom he is trying to bully into submission) a hardened criminal. . . . This succession of thesis, disguises begins by emphasizing the dangers to Hannay--he borrows the milkman's outfit to escape two assassins just outside--but gradually subordinates Hannay' s danger to concept research submit his adaptability, inventiveness, and finesse.It could also be pointed out Hannay pretends to be a Lothario, a lover leaving a married woman's bedroom, in writing order to convince the milkman to give over the uniform.

There is where the pretending begins in concept paper research earnest. He: Don't bother. I'm nobody. 37 When Thomas M. Leitch goes on writing to say When (Hannay) lies to harvard supplemental Pamela, his preposterous improvisations are elaborated far beyond the demands of his actual danger, and by the time the scene ends, he has lost his audience and is just lying to himself. Wrong on all counts. First, Hannay is in great danger; his life and Pamela's life are at writing, stake.

The lies, therefore, are not beyond the demands of the actual danger. Harvard Essay? Second, Hannay has not lost his audience; he has, with charm, won her. Third, he is thesis, not lying to himself. College Essay? Play acting in order to survive is not the writing, same as lying to how to prepare a business plan for investors one's self. 38 In the thesis, novel, Hannay pretends to be a spectacled roadman, and that is his most memorable disguise: Then I set to work on my face. With a handful of futility war essay, dust I made a water-mark round my neck, the place where Mr.

Turnbull's Sunday ablutions might be expected to stop. I rubbed a good deal of dirt also into the sunburn of my cheeks. In the film, he merely pretends. He doesn't get into elaborate makeup or, with the writing, exception of the milkman's uniform, into costuming. Show Me A Format? 39 At the conclusion of the thesis, film, we have traveled a Hitchcockean universe of suspense, romance, humor and sheer chutzpah. The handcuffs dangle and we turn away from danger with a rueful laugh. Order has been restored, and we feel better about the world and ourselves. Essay Academic? But perhaps the last laugh is on us. Such is the zest of the Hitchcock plot that the original point of the title was totally forgotten, and half a line had to writing be added at the end by harvard supplemental essay way of explanation. Copyright 1995 by thesis writing National Board of white, Review of Motion Pictures Inc.

Text may not be copied without the express written permission of National Board of Review of Motion Pictures Inc. Thesis? Phillips, Louis, The Hitchcock universe: Thirty-nine steps and then some. Vol. 46, Films in Review, 03-01-1995, pp 22.

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essay on writing optimism In the first year, the optimists in the regular force outsold the pessimists, but only by 8 percent. Online. In the second year, the optimists sold 31 percent more. As for the special force, it did beautifully. They outsold the thesis pessimists in the regular force by 21 percent during the first year, and by 57 percent in the second year. They even outsold the average of the show of an essay regular force over the first two years, by thesis writing, 27 percent. Essay Academic Writing Topics. In fact, they sold at least as much as the optimists in the regular force.

An optimistic explanatory style had the same effects when examined in educational institutions. 300 freshman in the class of 1987 at the University of Pennsylvania were given the ASQ. At the end of the first semester, the thesis students who were more optimistic were doing better. Kamen and Seligman found that when we look at me a of an two people with equal academic abilities, the thesis more optimistic person tends to get better grades. The optimists were those who explained their success in terms of enduring personal characteristics rather than in terms of luck, easy tests, or low grading standards. Similar results were found when Seligman tested twelve hundred plebes entering West Point military school. The school is paper research so tough that a hundred usually dropped out before classes even began.

West Point was concerned about the dropout rate and thesis writing their inability to predict which candidates would be able to stick it out. After following the results for two years, Seligman found that the students who quit were the pessimists: those who blamed bad events on themselves, who believed the prepare a business plan for investors bad thing would last forever, and that it would undermine everything they did. The linkage of optimism with success has turned up also in studies of sports. Thesis. The optimists experienced more motivation to succeed and were more persistent in their efforts. Seligman and his colleagues analyzed numerous statements by members of teams like the Boston Celtics and the New Jersey Nets in 1983-84 to harvard essay predict their performance in the 1984-85 season.

They found that the Celtic optimistically explained away their losses, while the Nets said things like We are all missing everything, and We botched things up ourselves and blew all our opportunities. The researchers found that the teams#146; explanatory styles strongly predicted their level of success the following season. The same results were found in baseball#146;s National League. The degree of optimism predicted success even after allowing for how good the team was, and pessimism predicted failure. Politics provides another arena in which to test the power of writing optimism. We see the show format same results here: One study analyzed the nomination acceptance speeches of Democratic and thesis writing Republican presidential candidates between 1948 and 1984.

Even after adjusting for the popularity rating of the candidates according to war essay polls, the candidates who concentrated on negative statements about the nation#146;s future almost always lost to those who expressed more optimistic views. Thesis. The pessimistic candidates lost nine out of ten of the writing elections. Adlai Stephenson, unsuccessfully running in 1952, declared, for example: The ordeal of the thesis writing 20 th century#151;the bloodiest, most turbulent era of the Christian age#151;is far from over. Sacrifice, patience, and implacable purpose may be our lot for science essays online, years to come. His optimistic and thesis writing successful opponent, Dwight Eisenhower instead made a clear statement of problem-solving action: I will go to Korea. Not only does an optimistic attitude make us more likely to succeed, believing that you control your life and show me a of an essay can better it promotes good health. Optimism benefits health in four ways: First, by replacing a sense of helplessness with a feeling of control, optimism boosts the immune system. This was demonstrated in rat experiments by thesis, Madelon Visintainer. The rats who learned helplessness through the experimental setup were more vulnerable to tumor growth than those who were able to shut off the electric shocks. Second, optimists will seek medical advice and stick to health programs better than pessimists.

The pessimists, telling themselves It doesn#146;t matter what I do will give up easily and fiction fail to seek information and professional advice. A study of thesis one hundred Harvard graduates showed that the me a of an pessimists were less likely to quit smoking cigarettes than were the optimists. Third, the thesis more negative life events a person encounters, the more illness he will probably suffer. If, all in one month, you lose your job, break up with your spouse, and a friend dies, your chances of becoming ill increase considerably. Pessimists experience more of these negative events. They take less action to for investors prevent bad things happening, and when negative events occur they make them seem worse by thesis, thinking persistently, negatively, and harvard essay helplessly about them.

Fourth, research has shown a clear correlation between resilience against writing illness and degree of social support. Lonely people who have no close friends or who withdraw from social engagement when unhappy have a greater risk of illness and, when ill, are more likely to get worse. Pessimists take less action to seek support. Optimism wipes away passivity, leading us to seek out other people. Harvard Supplemental. The company of thesis others reduces stress, thereby boosting the immune system. Others can also help take care of us and encourage us to take medication, rest, or visit a doctor. One of the first studies of the role of pessimism in causing illness was carried out at Virginia Tech in show me a of an essay the mid-1980s. The study, following 150 students, found that the optimists had only half as many infectious illnesses and visits to the doctor as the pessimists. A British study followed sixty-nine women with breast cancer for five years. Those who optimistically fought the cancer were less likely to suffer a recurrence and more likely to survive than those who responded to their diagnosis with fatalistic passivity.

The rare women who survived long term after two bouts of cancer were those with an optimistic way of thinking. For years it was suspected that the cancer-prone person was inhibited, conforming, and thesis depressive, and suppresses feelings rather than expressing them. Evidence has been accumulating to support this idea. How To Plan. Even more convincingly, the thesis development of cancer tends to be faster and more severe in harvard college supplemental those who are passive than in people who fight the cancer, believing they have some control. Psychiatrist Arthur Schale has found a higher incidence of cancer in those who feel helpless and hopeless. Unsubstantiated and exaggerated claims for the power of the mind to influence the body are easy to find. Yet the evidence now strongly suggests that the way we think and feel does influence our health to a significant degree. This should not be terribly surprising.

Thoughts take place in brains, and thesis writing brains are integrated into the hormonal system. Essay Academic Topics. Minds and brains should be seen as aspects of one system, not as two distinct objects. One likely mechanism explaining the thesis link between pessimism, depression and susceptibility to disease is concept research submit this: When we feel pessimistic, depressed, or are grieving over the loss of a loved one#151;a situation likely to induce a sense of lost control#151;a group of writing neurotransmitters (chemical messengers in the brain) becomes depleted. When catecholamines become depleted, another group of neurotransmitters, called endorphins, increase in activity. Endorphins are the body#146;s natural opiates. When endorphins increase in activity, the immune system turns itself down. A growing number of paper submit studies show that the sense of personal control felt by optimists clearly boosts the immune system. Not only does optimism feel good, not only does it make us more successful, it can also save our lives and keep us in optimal health. TWELVE CHARACTERISTICS OF THE DYNAMIC OPTIMIST.

Now we have seen evidence supporting the intuitive view that optimism is good for us, we can examine the writing twelve characteristics in more detail. INTERPRETING EXPERIENCES POSITIVELY: (1) Selective Focus: Unimaginably vast in academic topics scope and complexity, reality cannot be fully recognized at thesis writing any one time. Even that part of reality I call my life contains so many elements, events, phenomena, causes, consequences, and perspectives that I cannot keep every aspect of it in focus at any particular moment. No matter how realistic and rational we are, we have no choice but to how to plan focus our attention. Dynamic optimists choose to focus primarily on thoughts, events, and interpretations that induce joy, encouragement, pleasure, and constructive activity. Writing. Optimists will look at for investors the same world as pessimists but notice different things, and see the same things in different ways. One admires a well-tailored suit, the other cannot see anything but a tiny hole in thesis writing the jacket. One enjoys the exertion of science online climbing a hill, the other worries about getting sweaty. Writing. Optimists spend most of their time focused on opportunities, on being with people who they enjoy and benefit from, and on thoughts that energize them.

Dynamic optimists value rationality. So selective focus does not mean avoiding warning signals, or denying unpleasant events, persons, thoughts, or feelings. It does mean dwelling on the constructive and enjoyable and de-emphasizing pain, difficulty, and frustration. The negative aspects of me a life can be acknowledged but not fixated upon: Your lower back is writing sore and and you will seek to remedy the problem; in the meantime you will enjoy the movie. Disagreeable events can be placed in a context of learning. Optimists attend to war essay the downsides of life only to the extent that this will enable them to move ahead. Preoccupied with encouraging, empowering thoughts, optimists have little time for dwelling on misery. Optimists can look at a frustrating event, fully accepting its reality, then choose to interpret the event in a way that leads to writing action, growth, and mastery. Essay Academic Writing Topics. A child#146;s irresponsible behavior, for example, can give a parent an opportunity to improve his communication skills. While the pessimist focuses on the frustration itself, often excessively and writing pointlessly, the optimist keeps the event in proportion, enjoys the submit rest of life, and looks for solutions to the challenge.

This last word is a key part of the optimist#146;s vocabulary: Where the pessimist sees problems , the optimist sees challenges . If things are going well for an optimist, she often takes that as a sign that things will continue to writing go well, and essays that she is writing therefore capable of academic writing making things go well in other areas of life. Thesis Writing. If I#146;m making strong progress at my exercise routine, I can take it as a sign that I can overcome difficulties with my finances. Essay Academic Writing Topics. If something goes badly, the optimist sees it as a useful learning experience and focuses on how she will do better in future. The pessimist thinks through an opposing filter. Writing. Some anonymous wit defined a pessimist as one who feels bad when he feels good for fear he#146;ll feel worse when he feels better. Pessimists fixate on futility everything that could possibly annoy, frustrate, or harm them. They worry unconstructively. If something goes well, they refuse to believe it, or they believe it cannot last. If it goes badly, it shows that everything is getting worse. Pessimists see every option open to them as crowded with waiting traps, whether bankruptcy, betrayal, or bereavement.

The optimist recognizes the traps but has a wider vision open to solutions, possibilities, and thesis writing assisting forces. By focusing on constructive, joyful, open-ended aspects of life, the concept paper submit optimist spots more solutions and feels more motivated to thesis writing overcome obstacles. (2) Refraining from Complaining: Accompanying a positive focus we find the optimist a pleasure to show me a format of an essay be near. Writing. She sees more good than bad, more to praise than to blame, more open paths than closed roads. Even when the optimist thinks of some negative event, she either keeps it to show herself, or speaks of it only to help others or to seek solutions. Part of not focusing on the negative is not talking about it pointlessly. Thesis. The more we complain to others, the more we notice annoying, frustrating phenomena.

Whatever we focus on paper expands. Complaining, whining, moaning all make us fix our attention on our woes. They also make us boring! The less we complain, the more room exists in our minds for the constructive, the creative, the delightful. If life sometimes presents tough obstacles, the optimist recalls the writing words of Theodore Roosevelt, who said I wish to preach not the doctrine of ignoble ease, but the doctrine of strenuous life. A common form of concept white complaint heard from pessimistically-focused thinkers sounds like this: Life isn#146;t fair.

I don#146;t deserve this. Why me? When something bad befalls us, it may be true that we do not deserve it, or that the world is thesis writing not fair. But to whine about essay topics, it can only be irrational. Yes the world is not fair. It just is.

The world was not built for our benefit. Other people are not here to writing serve us or to harvard college essay make us happy. When the pessimist complains of unfairness, they reveal an underlying irrational belief that life ought to be fair. Living effectively includes recognizing that the world will continue just being , rather than being fair . Making ourselves and others miserable by carping about writing, it will get us nowhere. How To Prepare. Such pointless, irrational moaning can only generate resentment.

Resentment leads to anger, hostility, and envy. The optimist expects no fairness (though is delighted when she finds it). Thesis. Optimists search out people, circumstances, and events that will assist them in life. When they run into opposing forces, they accept them calmly and with good humor look for ways around the obstacles thrown in their path. (3) Questioning Limits: Iron-clad limits do exist. You cannot jump unaided from war essay, here to writing the moon. You cannot run faster than light. You cannot make a million dollars by saying Shazam! These kinds of limits have little to do with the prepare plan for investors things we want to accomplish in life. The laws of thesis physics (at least as we currently understand) rule out format, certain goals but outside that realm we will have to writing look hard to find many provably impossible goals.

Most of what we might want to achieve in science fiction online life, whether it is making millions, making major breakthroughs in a field of study, becoming famous, achieving our ideal body, or finding a wonderful life partner, may be difficult yet many people succeed. For almost any improbable goal, we can find those who have made their dream a reality. Optimists nurture a constructive skepticism that challenges the limiting beliefs held by ourselves, our associates, and our society. Optimists display a deep and pervasive creative openness to possibilities. They challenge unquestioned, traditional beliefs about limits where no convincing demonstration of impossibility has been made. Optimists#146; confidence in their ability to thesis achieve their goals cannot easily be shaken. A rational optimist will not persistently attempt the truly impossible.

However, in human affairs we will not often be able to prove an endeavor to be impossible. Even if we can demonstrate some desired goal to be impossible, the plan optimist will not draw unnecessarily frustrating conclusions. Many limits are limits only within a specific context. We may be able to thesis change the context and thereby change what is possible. Perhaps you simply cannot make your fortune in that small town, but the same goal can be eminently achievable in a large city.

Some of the prepare a business plan for investors goals of writing Life Expansion as I am outlining it in this book have long been considered impossible. Extending the human life span past 120 has been declared impossible. Moving off this planet was considered impossible. Becoming more than human is still believed by many to be impossible or unthinkable. Dynamic optimists are especially suspicious of supposed limitations that others claim to be sacred, natural, or inherent in the divine order. Optimists with a sense of history and some understanding of current technological developments see that each of a business for investors these traditional human limitations may not be invincible after all. Each age, lacking the necessary vision, will, and technology, elevates temporary limits to the achievement of our goals to the status of unalterable facts that must be accepted, even glorified and worshipped. (If life cannot be extended, why then, mortality must be good and natural!) The dynamic optimist challenges personal and socially accepted limits through the directed application of reason, analysis, and creative thinking to a problem. The pessimist accepts limits without question, feeling comfortable with the given, and lacks the thesis drive to search for solutions. The optimist probes the supposed limits, staying open to new pathways, applying creativity, and determination. Actor Christopher Reeve has provided a shining example of me a of an a person challenging limits.

Instead of thesis giving up after being severely crippled in a horse-riding accident, he has persistently pushed himself to regain strength and control. He had the courage to appear before a billion people at the 1996 Academy Awards. His example has inspired millions to laugh at the relatively trivial obstacles in their own lives. The Wright Brothers, the Apollo rocket launches, and science fiction the gerontologists probing at the mechanisms of aging all represent the optimist#146;s unwillingness to acquiesce in what others see as inevitable limitations. (4) Sense of thesis writing Abundance: Pessimists see the how to a business plan world as full of obstacles and almost empty of thesis options. Futility. They feel that someone else#146;s success means their failure. Thesis Writing. They see life as what economists call a zero-sum game#151;gains by one person must be matched by losses for others, so the futility war essay total gain is zero. This belief (often unconscious) in limited rewards, limited successes, and limited options leads to writing envy and resentment.

The effective optimist, by contrast, understands that everyone can improve their situation. Another person#146;s success is to be admired, not resented. The success of others not only does not keep us down, it can help us: success in topics others provides a model for us to learn from, and concretely shows that success is possible. If my friend writes a best-selling book, why then, perhaps I can too! Dynamic optimists feel free to do what they want to do.

As self-directed persons driven by positive values rather than fear or envy, they experience the world as crammed with endless possibilities they can choose from. Typically, they feel no coercion from people or circumstances to do anything. All they do is driven by their passions, not by external pressures. They work at writing what they love, not because it was their parent#146;s profession or because it is college respectable. Optimists live with passion, fixing their attention on what they want to achieve and how they can achieve it. They appreciate what they have and love the writing world for me a format of an essay, all that it offers. Rather than complaining about having to make a living, for example, optimists apply their sense of abundance by thesis writing, fully appreciating the vast range of possible occupations open to them. If they do not possess all the skills needed for a desired occupation, they learn them. Pessimists settle for what they see as the realistic option. Crucial to harvard supplemental essay fostering a sense of abundance is being for writing, things, not against things.

You may be against many things: crime, war, being overweight, the budget deficit, intolerance, aging. Optimists restate anything they oppose in futility war essay positive terms. Thesis. Rather than being against government, be for me a format, liberty and responsibility. Thesis. Rather than being against your company or office manager, be for harvard essay, making improvements. Instead of saying no to thesis drugs, say yes to healthy pleasures.

I am not merely playing a word game here: Your energy goes wherever you focus your attention. When you are against something you will expend your time and show me a format of an energy attacking it, complaining about it, and reacting to it. When you are for an alternative, you focus on changing it, creating alternatives, exciting others about new options, and feeling productive and creative#151;you will be proactive rather than reactive. Being for things, and a strong sense of abundance creates personal energy. Thesis Writing. An optimistic sense of me a essay abundance encourages cheerfulness and activity. In a high-energy optimistic state you want to tackle tasks because you expect to enjoy the thesis activity and expect to make progress at it.

This creates a self-reinforcing cycle: Optimism breeds increased enthusiasm; this leads to harvard college essay effort and progress which validates optimism and generates more of writing it. The virtuous circle of optimism replaces the science online vicious circle of pessimism. (5) Humor: Humor acts both as a cause and a consequence of dynamic optimism. Not surprisingly, optimists, being cheerful types, will tend to see more humor in thesis everyday events than gloomy pessimists. Feeling good lends itself to essay academic topics spotting funny incongruities and enjoyable oddnesses. Pessimists, if humorous at all, display a more cynical, snide, nasty form of humor. Thesis. Humor for them provides a way of tearing down and deriding the accomplishments and character of how to plan others. More surprisingly, humor adds to optimism.

Since optimism requires an openness to new possibilities and different perspectives, it helps to be able to laugh at dogmatic thinking in ourselves and others. Healthy, good-natured humor can reveal fresh approaches. Humor will be particularly helpful when the rigidity or irrationality is found in thesis writing ourselves. Without humor, we may lock up emotionally, defending to the death the wisdom of what we are doing and who are. With humor, we can look on concept paper research white our shortcomings with amusement. Most humor involves seeing old things from unexpected angles. This explains the power of humor to thesis writing promote self-transformation: We will find it easier to change ourselves if we can use humor to step aside from how to a business, who we are right now and see who we could become. Nietzsche told us that laughter means to thesis writing rejoice at another#146;s expense, but with a good conscience. Format Of An Essay. We can laugh at our own foibles with a good conscience because humor allows us to separate our core sense of identity from the foolishness we currently see in ourselves. INFLUENCING OUTCOMES POSITIVELY: (6) Rational: Being rational means doing our best to see reality as it is rather than as we want it to be.

Rationality involves apportioning our belief according to the evidence: withholding commitment to unsupported beliefs, even if we want them to be true; not being certain of uncertain ideas; and always being open to revision of beliefs as new evidence and new reasons appear. The dynamic optimist applies reason to writing find ways of academic writing topics assessing and achieving goals, and thesis writing does not confuse what he wishes to be true with what is true. Blind, wishful optimism is not dynamic optimism, it is an irrational optimism or faith in an unreal world. The rational optimist#151;the optimist who works with reality rather than against it#151;separates his emotional urges from his understanding as far as possible. The rational optimist thinks critically and concept white logically about the writing world around him. He also turns the bright light of reason on writing topics himself, examining the causes and thesis writing reasons of his motivations and beliefs about himself. Rational optimism means using reason to discover what truly works. Essay Topics. Reason involves learning how to assess evidence for claims, how to analyze arguments, assess motivations, figure out who and what to believe and how far to believe it. Thesis Writing. Is supplemental vitamin E good for my health?

Should I invest in stocks or bonds? Should I believe the claims of paper research homeopathy? Should I always trust my intuitions? Reason also involves ensuring that that your goals are attainable and that you have chosen effective means to them, and making sure your goals are consistent and coherent together. (7) Self-Improving: Dynamic optimists see themselves in transformational terms#151;they see the self as a process , not a static entity. Optimists recognize the possibilities for continuing growth, self-correction, and self-improvement. Rather than seeing their current psychology and personality as the ultimate form of themselves, optimists view it as a transition to a better self. If we are to expand our lives, overcoming limits to writing achievement and happiness, we need to war essay detach ourselves from who we are today.

More fundamentally we need to see ourselves as an evolutionary process of ever-improving development. Our current personalities serve as one link in the chain of our being. As Henri Bergson said in thesis writing Creative Evolution : To exist is to change, to change is to mature, to plan mature is to writing go on creating oneself endlessly. The powerful drive to improve, to overcome existing limitations in the self, in optimists is not pushed by fear or self-dislike. This drive is pulled by an inspiring self-image.

Optimists form an image of who they want to become and use it as a guide for me a of an essay, action. Thesis Writing. They stride towards their ideals rather than running away from who they are now. They seek to become beautiful, not to cover their ugliness; they patiently strive for calmness rather than berating themselves for their bad temper. Optimists feel a basic sense of happiness, but it is a happiness without self-satisfaction. Futility. The drive to self-transformation comes not from a rejection of the self, but from an thesis writing, identification with the self#146;s continual process of maturation and essay writing strengthening. Optimists recognize the natural law: Develop or perish. To remain the thesis writing same leads to stagnation and to falling behind, especially in science fiction essays online the modern world#146;s frantic and accelerating rate of change. Dynamic optimists seek to thesis be not masters of the present, but masters of transformation. The drive for self-transformation, perpetual self-improvement, distinguishes the dynamic optimist from the harvard college supplemental passive optimist.

The latter sits back, does nothing, and tells himself that everything will work out fine, and that he need not make any effort to improve his approach to living. The dynamic optimist acts on the recognition that continual transcendence of personal limits fuels success, achievement, and writing happiness. As Goethe tells us in science The Mysteries : All force strives forward to work far and writing wide. To live and grow and ever to expand; Yet we are checked and thwarted on each side. By the world#146;s flux and swept along like sand: In this internal storm and outward tide. We hear a promise, hard to understand: From the compulsion that all creatures binds, Who overcomes himself, his freedom finds. (8) Experimental: Pessimists and passive optimists both cling to the old and familiar, the format of an authorized, regulated and approved.

The dynamic optimist will be among the first to adopt more effective practices. Thesis. Effective optimism requires more than a belief that things will improve; it requires actively searching for and creating novel approaches. Certainly the optimist eagerly learns from culturally entrenched practices, whether these are ways of organizing a business, principles for a marriage, or methods of boosting athletic performance. Yet he will put no unquestioning faith in ideas simply because they are old and widely accepted. The optimist evaluates each idea, each method on its merits, being quick to try fresh approaches where they appear to offer advantages. The optimistic personality continually seeks out better ways of doing things, jumps out of ruts before they can wear deep, and questions dogmas and concept paper research submit unthinking traditions. Thesis. Nietzsche expressed this urgent drive to futility war essay challenge the old: #133; Not to question , not to tremble with the thesis writing craving and joy of questioning#133; that is concept white what I feel to be contemptible , and this feeling is the first thing I seek in thesis writing everyone: some foolishness persuades me ever and again that every human being has this feeling, as a human being.

As Nietzsche recognized with disappointment, many humans do not share this joy of questioning. Pessimists and passive optimists feel comfortable and satisfied with the accepted and traditional. Only dynamic optimists exhibit a fundamental openness to new and better paths. An optimistic attitude encourages openness to new sources of show format of an information and new methods of improving life. When it forms part of thesis writing your personality, an war essay, actively optimistic attitude programs your brain to apprehend opportunities and possibilities. This open, experimental attitude will both see more new approaches and show more willingness to try them out.

By applying his experimental attitude, the thesis writing dynamic optimist becomes intensely creative. Willingness to experiment implies a tolerance for risk-taking. Remembering the how to prepare a business plan importance of rationality, this does not mean wild, random risk-taking, but a willingness to assume calculated risks for writing, anticipated benefits. We might think that sticking with widely accepted methods is safe, but where improvement is needed, failing to experiment is itself risky. The optimist heeds the advice of college supplemental essay Thomas Watson, founder of computer giant IBM, who told us: The way to succeed is to double your failure rate. Optimists see the self as a process not a static entity.

This allows them to writing identify with improving their ideas, methods, and how to prepare a business plan for investors practices, rather than desperately needing to be seen as right . Thesis. Optimists, expecting success or at least learning from their experiments, will not be paralyzed by fear of failure. A Business Plan. They keep their mind on their goals, unlike pessimists who shy away from uncertain attempts because they entertain all the possible undesirable outcomes while feeling that being mistaken means being failures and fools. (9) Self-Confident: We all feel confident in specific areas of life. Writing. You might be confident when playing tennis, or in closing a deal, or in giving a speech. But you might lack confidence in changing a diaper, replacing your computer#146;s hard drive, or singing in tune. The dynamic optimist cannot help but lack competence in numerous areas, yet retaining a solid confidence . Plan For Investors. Self-confidence means not confidence in thesis specific areas, but a fundamental conviction that I am competent to paper research submit white live. Writing. I may lack a skill or ability needed to get a particular job or to war essay solve a relationship difficulty, but I feel confident that I can acquire those skills. I feel assured that I can think up or discover existing solutions, or find someone with sound advice. If a person lacks this basic sense of self-confidence, a pervasive pessimism will be hard to avoid. Acquiring self-confidence requires an effort; anyone promising to thesis writing deliver it to essay you in one quick painless fix is lying. The underlying confidence I refer to thesis comes from repeated experiences of successful learning and problem-solving, each of which takes attention and effort.

By repeatedly achieving, as well as recognizing and celebrating our achievements, we can build self-confidence. While the passive optimist hopes that someone else will make the future better, the dynamic optimist believes he can and will bring about what he wants. Science Fiction Essays. He does not leave the future up to passive hoping and wishing, he takes action. If he wants a more enjoyable job, he does not wait for an offer, he goes out and thesis searches for one, confident that he has the show essay necessary skills or that he can acquire them. Effective optimism implies confidence in writing being able to create the future we want. Harvard Supplemental Essay. Self-confidence generates persistence by giving us the writing power to concept research submit white keep trying in thesis writing the face of how to prepare a business plan for investors resistance and setbacks. With self-confidence we will continue making an thesis writing, effort until we finally overcome all obstacles. Pessimists, believing desirable goals to be unattainable, do not persist. In giving up so soon, and thereby failing, they reinforce their sense of personal inefficacy.

Pervasive pessimism in a person goes hand in hand with a self-image conveying failure, inability and resignation. A drive towards self-improvement and a willingness to experiment with novel approaches cannot exist without self-confidence. (10) Self-Worth: Self-confidence combines with self-worth to form self-esteem. Whereas self-confidence means a fundamental sense that I am competent to live and flourish, self-worth means a sense that I deserve to live. Some unfortunate individuals lack self-worth, sometimes due to destructive parents who continually undermined them as children, and sometimes due to concept paper research religious doctrines proclaiming that we are inherently evil, corrupt, and unworthy. While we can practice dynamic optimism even without a sense of self-worth, believing that we are worthy of success and happiness makes optimism far easier. Thesis. How motivated will a person be to create the conditions for his success if he believes he does not deserve to flourish? How strongly will he pursue happiness if he believes he deserves to be punished? This motivation may still exist: the person might be motivated to harvard supplemental essay achieve in order to serve someone else, or as an offering to a god. Such externally-based motivation risks building resentment.

Self-worth bonded to self-confidence forms a powerful core of self-esteem. When self-esteem suffuses our personality, we can forcefully tackle any new challenge with assurance. (11) Personal Responsibility: Effective optimism requires understanding the part we play in bringing about the results we want. Writing. The passive optimist, with his comfortable faith that other people and institutions will do it all, refuses to acknowledge his own role. I cannot endorse the common New Age belief that we entirely create our own reality. Yet our own thinking and action does radically affect our chances of success. Unlike the passive optimist, the dynamic optimist realizes that goals can be reliably achieved only through personal effort. Wishful thinking cannot substitute for active pursuit of the paper submit life we want. Taking responsibility for ourselves requires a strong sense of purpose.

Without a clear vision of our destination we will find it hard to get anywhere. Being responsible asks of us self-discipline: as we make our choices through the day we need to keep our goals and values in mind, stay focused, and resist distractions. Thesis Writing. More than that, taking responsibility means persisting at working toward what matters to us. Persistence and perseverance are virtues of character found in all successful persons. Science Fiction Online. Standing out writing, as a great model of persistence, Thomas Edison tried endless combinations of materials and how to prepare a business for investors structures before finally creating the light bulb. His mind stayed focused tightly on his goal, allowing no doubts to writing stop him, and he persisted through hundreds of failed attempts. Personal responsibility combines psychological characteristics with ethical values. Being responsible involves more than personal effort, focus, and persistence. Futility. It also requires integrity: living according to your values.

An integrated personality has developed a consistent and rational set of thesis values conducive to successful living. If we profess our values yet live according to concept submit whim, social pressures, or expediency, we will find ourselves pulled in opposing directions. Lack of integrity saps our will by thesis, pitting our values against our outward words and deeds. Like a car trying to move with its parking brake on, we will struggle harder to science essays create the life we want if we give up our integrity. Living with integrity is profoundly practical, not merely a nice abstract ideal. Taking responsibility for keeping our words and actions consistent with our values means exercising our autonomy#151;our ability to make our own choices even in the face of thesis external pressures. Being responsible for ourselves can be a great challenge when surrounding us we find government programs to take care of us, and authority figures wanting to run our lives (whether these are parents, gurus, or officials). These stealers of responsibility seduce us by offering ease and security if we will only give up personal control and let them make the decisions. But once we give up our autonomy and responsibility to others, we also give up our control over our future. (12) Selecting Environment: We can maintain an optimistic, creative, solution-finding attitude in any environment.

The ability to separate our thinking, to choose how we feel and act, is an aspect of our autonomy as humans. Even in the Nazi death camps, some stayed alive and harvard supplemental essay sane by focusing their thoughts on their hopes and on what they could control. Clearly, though, we will find it far easier to persist in a dynamically optimistic approach to life when surrounded by others who fuel us rather than drain us. Some of us may be unfortunate enough to live and work with those who continually tell us why we cannot do what we want, why our efforts are doomed to fail, and who point to writing all the possible obstacles and relate tales of every failure they have heard of. While stuck in such an environment we will need to maintain more vigilance over our own thinking. If we find ourselves smothered in this miasma, we would do well to harvard college essay devote plenty of effort to thesis writing changing our circumstances. This may mean changing jobs or offices, or fending off negative co-workers, relatives, or acquaintances. Dynamic optimists will find themselves attracted to persons and environments that inspire, support, and assist, not those that discourage, distract, and undermine. Essay. Still, we should take this recommendation in the context of the other characteristics of a dynamic optimist, and not take it to an extreme in isolation. Since success requires a clear understanding of the world as it really is, not as we wish it to be, we need to place ourselves among those who will not always agree with us. If we hear only agreement from those who think just like us, we will fall into a distorted view of the world.

Our beliefs, values, and goals need to thesis be tested, questioned, challenged. Only by surviving the criticism of others (and ourselves) or mutating into new forms can our beliefs and goals offer any assurance of being realistic. Futility War Essay. The optimist will therefore select the environment so as to surround himself not with only those who agree with him, but with those who will either agree and support him or constructively, reasonably, usefully criticize his goals and methods. Hostile, destructive criticism can still be useful, but is harder to learn from and can undermine our motivation. The dynamic optimist carefully selects the environment to achieve a balance of support with constructive disagreement.

Optimism and Uncertainty. Bertrand Russell, one of the writing most prolific and long-lived philosophers of the 20 th century, pointed out that: Many people would sooner die than think. In fact they do. Russell#146;s barbed observation continues to prepare a business be all too true. At this stage in human development, most of us display a deep desire for certainty. Is this due to culture or our biological nature? Given the cross-cultural persistence of the thesis need for certainty, I suspect it is partly rooted in our evolutionary past. Back in our hunter-gatherer days, those who were uncertain about whether to run, how to throw a spear or stone, or whether to mate, were likely to concept paper research submit white die, their genes being forever taken out of the gene pool. The choices then were relatively simple.

Quick, decisive, certain choices probably conferred a survival advantage. If a tendency toward certainty and the dogmatic thinking that results really is built into our brain, advanced genetic technology may be the thesis only effective way to show me a format remedy it. In the meantime, only those who remain aware of this tendency, and strive continually to combat it in themselves, will have a chance of being the rational beings philosophers have long proclaimed us to be. We find it more comfortable to believe things with certainty. Thesis. Certainty assures us we need look no further: we have found the how to a business for investors final, unalterable truth. We need not think, we need not make new decisions, we need not experiment or question ourselves. Thesis. The desperate desire for certainty insinuates itself into every aspect of our lives but especially in show me a of an the area of religious and political beliefs. Dogmatic religious beliefs extol certainty, even making faith#151;belief in something despite the evidence#151;into a virtue. Thesis. This attitude toward certainty and dogmatic faith was stated in an especially unapologetic and extreme form by the Church father Tertullian.

After Jesus we have no need of speculation, after the Gospel no need of research. When we come to believe, we have no desire to believe anything else; for we begin by believing that there is nothing else we have to believe. Certainty reduces our chances of succeeding in many situations because it prevents us opening ourselves to how to plan new sources of information. It leads us to conclude further investigation and experimentation to be a waste of time. Writing. The emotional reward that keeps people coming back to certainty like a favorite drug is its ability to pacify us, to soothe us, and to relieve us of responsibility. Optimism tainted with dogmatic certainty can appeal to us since it lets us believe that success requires no action, or at least no new action. If you feel certain that a desired event or outcome will occur, you need not contribute to bringing it about. If you hold a belief with certainty you need not go to how to a business for investors the trouble of looking for contrary evidence. Unfortunately we cannot draw a sharp, unmistakable dividing line between dynamic optimism and passive optimism and its reliance on certainty. Keeping in mind the twelve characteristics of the dynamic optimist will help keep optimism active and open.

It is thesis up to us to guard against allowing our dynamically optimistic thinking to degenerate into passive Pollyanna optimism. We cannot reliably distinguish rationally and irrationally optimistic beliefs on the basis of the strength of format of an those beliefs (though this can be one indication). Faith, or dogmatically optimistic beliefs, can be weak, though this is generally an unstable state, and many perfectly ordinary beliefs are extremely strongly held. For instance, I am very sure that I currently live in Southern California, that the Earth orbits the sun and that I am biologically male. How can we distinguish life expanding optimism from dogmatic optimism? Let me emphasize some of the twelve characteristic of dynamic optimists to help with this question:

Both kinds of optimistic thinking involve selective focus, or selective filtering of information and experience, but in different ways. Dogmatic optimists refuse to consider evidence that things are not going the way they want. They avert their eyes from obstacles to their goals. They see only encouraging signs while blanking out disturbing signs. The dynamic optimist uses selective focus differently: He chooses not to dwell endlessly and pointlessly on unpleasant and unchangeable events or persons. He remains open to recognizing and accepting obstacles to his goals. Rather than blind himself to them, he sees them as challenges, and thinks cheerfully, creatively, and openly about how to deal with them. We have seen that dynamic optimists continually seek to improve themselves. While valuing who they are now, they strive to become ever better.

They may be satisfied with their progress, but they are never self-satisfied in thinking they are the best they can be. To prevent life expanding optimism from decaying into self-satisfied passive optimism check your behavior over time. Have you stopped looking for ways to improve? Do you approach every conversation as a chance to thesis writing show the other fellow where he#146;s gone wrong? Have you made real progress with your goals, or are you just telling yourself that you have or you will start to real soon now? We can check our optimism also by noting our degree of rationality and experimentalism. You may be facing a problem or choice: Whether to stay with this job or change companies or professions; whether to show me a essay tell the truth or lie to thesis writing stay out of a conflict; whether to vote for government welfare or subsidies or to oppose them. How do you go about topics, making these decisions? Do you look for answers and solutions always in the same places?

Is there one book that you look to every time for certain answers? Do you stick with what you have always done in the past? Do you look at thesis writing information always from the same sources, or do you consult diverging books, magazines, speakers? Dynamic optimists never rely on dogmatic authorities (though they will listen for possible wisdom even from futility war essay, self-proclaimed gurus or authorities), whether these are living persons, massive institutions, or old books. The dynamic optimist tries to thesis think as a critical rationalist#151;someone who leaves everything open to how to a business for investors question and who treats no authority as an absolute guarantee of truth. Rather than being disturbed by having his beliefs or favorite sources challenged, the thesis writing rational optimist welcomes feedback and new perspectives. (This does not mean wasting time with uninformative fools who only want to impose their ill-formed ideas on anyone within reach.) You can feel confident that your optimism remains rational and effective so long as you see plenty of essays signs of continued searching, critical experimentation, and personal responsibility for thesis, learning in prepare a business open ways. The active and passive forms of writing optimism differ in an obvious way when it comes to the issue of personal responsibility. College Essay. The passive optimist believes that he will succeed in his endeavors, or circumstances will improve, not as a result of his own efforts but primarily or solely because of external factors. If someone expects their problems to be solved by the government, their parents, their spouse, or a god, they abdicate personal responsibility for thesis writing, their lives. For Investors. You can spot the slide from thesis writing, dynamic to paper white passive optimism if you see yourself no longer taking action to thesis better your circumstances, instead sitting back and thinking someone else will take of it. Essays Online. Dynamic optimists realize that they cannot control other people, only themselves.

They place confidence in their own ability to change the shape of the future. They jump in and actively set about creating the outcome they desire. Adopting certain habits and practices can help guard against letting our dynamically optimistic thinking deteriorate into writing, the more common passive form. The crucial first step involves thoroughly understanding the characteristics of the how to dynamic optimist and how they differ from the passive optimist. Once that understanding has been absorbed deep down, we will find it easier to thesis detect and prevent the infiltration of passive thinking. As part of writing topics regular daily and weekly meditation and life-review habits, we can check our recent thinking and behavior. Regular sessions for setting personal goals and priorities provide an opportunity for thesis writing, a reality check.

These sessions give us a quiet time in which to reassess short-term and long-term goals and the effectiveness of the means being used. During meditation sessions we can renew our optimistic perspective, rooting out harvard supplemental, pessimism, while also checking that our optimism remains active and open. Another way to maintain a high level of optimism while avoiding intellectual passivity and certainty is to subject your ideas to evaluation by others of similar commitment. Such individuals and groups should also be oriented towards a rational, active optimism. Such persons allow you to thesis writing test your ideas and goals in an environment both friendly and able to restrain unbridled flights of fantasy. Testing your ideas in groups that are fundamentally opposed to your goals, or who cannot comprehend them, is neither encouraging nor enlightening. Testing your ideas in supportive yet critical and analytical communities is vital.

Once we understand dynamic optimism thoroughly we have taken a giant leap toward being able to implement it fully in our lives. Shaping our thinking in an optimistic direction will be easier if we have some specific ideas of what to watch for in our thinking. I can only briefly explain a handful of these mental patterns here. I refer the reader to the Resources for more writings and me a essay workshops on the subject. Writing. Cognitive psychologists such as David Burns and Albert Ellis have done us a great service in clearly identifying many thinking patterns typically found in harvard essay pessimists and depressed persons. Writing. Since my focus is on how to plan the positive#151;on becoming ever better than we are#151;rather than on the negative side of what causes depression and lack of motivation, I will point out a few positive correlates of the thesis thinking patterns identified by these therapists. PARTICULARIZE: When the optimist has been frustrated by obstacles to his goals, he reacts appropriately: He inspects the obstacle and futility war essay sees it for what it is, then considers how to remove it. The pessimist, especially if depressed, does the opposite. Thesis Writing. A depressed person will see a single negative event as an endless pattern of science fiction essays defeat.

A woman went for a first job interview. Being nervous and inexperienced she performed at less than her best and was not called back for a second interview at the firm. She told herself: I never get a break. I#146;m so rotten at this that no one will employ me. What#146;s the use? From a single experience she irrationally overgeneralizes to a belief about all future interview experiences. A shy teenage boy asked out a girl he was attracted to.

Being insensitive or perhaps simply not knowing how to respond any other way, she told him Only in your dreams. The boy tells himself: I#146;m ugly and boring. Thesis Writing. No girl will go out with me. Overgeneralizations like this can turn into self-fulfilling prophecies since the science fiction irrational belief leads the person to refrain from more attempts. Writing. With no more attempts to get an interview or a date, there can be no successes and so the person#146;s belief seems to be confirmed. The optimist refrains from overgeneralizing. Effective thinkers look at the frustrating situation as a particular event. That event need not represent any pattern; it can lead to essay academic very different future events if treated as a learning experience.

If the thesis woman going for the interview had been aware of format of an her thinking, she might have stopped the self-defeating cognition, instead telling herself: Well, I didn#146;t do so well at my first attempt. I#146;ll do better next time. Now I know better what to expect. Let#146;s see, I could practice my responses to the questions I was asked, I could sit straighter and thesis writing speak up confidently, and I could take more initiative in asking questions when given the opportunity. Similarly, the rejected boy might have reminded himself that this girl might have been having a bad day, and science fiction online not all other girls would react the same way.

He might ask himself if he contributed to her response, perhaps by being too tentative, and consider how to come across more engagingly. Thesis. The optimistic response to a bad experience is to look at science online it as a particular event, not an omen of perpetual failure, and to learn from it in order to correct course and home in on the desired goal. EMPHASIZE THE POSITIVE: Depression-prone individuals usually suffer from anhedonia#151;the inability to thesis writing enjoy anything. War Essay. One cause of this is thesis writing their tendency to disqualify their positive experiences. Even non-depressive, hard-driven Type A personalities can fall into show me a format, this trap. Upon being given a major promotion with raise in pay and benefits, an executive immediately started worrying about her new responsibilities.

She did not hold a party to celebrate, turned down friends#146; invitations to writing dinner to online congratulate her, and thesis writing forgot about all the show me a format essay ways she earned the promotion. A man in his sixties who has exercised for years and maintained sound diet and health habits was complimented on his trim, youthful appearance. Writing. I#146;m just lucky he replied. Have you ever replied to a compliment or commendation with phrases like You#146;re just being nice, It was nothing really, or It doesn#146;t really count for anything? If so, you have disqualified your positive experiences. How To Plan. When this becomes a pattern, we deplete our motivation and darken our view of the world.

Having pushed aside our joyful, successful, affirming experiences, we are left looking only at our mistakes, shortcomings, and setbacks. Writing. Even if someone has enough motivation or self-discipline to keep accomplishing things despite disqualifying the positive, he will derive little pleasure from his successes. Futility. If our goal is to both move forward in our lives and enjoy doing so, we need to affirm our positive experiences. The dynamic optimist does not need to writing seek approval, and does not abuse compliments by puffing himself up in futility war essay a falsely self-aggrandizing manner. On the writing other hand, the optimist can confidently acknowledge compliments and rewards. Instead of replying with It was nothing, he says Thank you. Of An Essay. The optimist celebrates both his own and other people#146;s successes, enjoys each victory and advance, and appreciates what he has earned. While the optimist looks forward to tackling new responsibilities and to moving on to fresh goals after achieving old ones, he does not forget to thesis appreciate the efforts that got him where he is. Set realistic goals and standards: The tendency to disqualify the positive often festers side by side with the vice of show format of an perfectionism.

Optimism has nothing to do with wanting to be perfect. Optimism as I have explained it involves a confident drive to continually improve oneself and one#146;s circumstances. Thesis. But not only does continual improvement not require perfection, it is not even compatible with it. If you are perfect, or believe you are, you have no room for harvard essay, further improvement. Optimists expect to do well and to keep getting better. They feel no need to be perfect or do a job perfectly. They do not have to mow the lawn magnificently, just well enough. They do not need to thesis write to submit their friends with unprecedented wit and writing skill; they just need to say things clearly. By setting realistic goals and standards for themselves, optimists succeed more often, thereby reinforcing their optimism and motivation.

If I feel I must ski not just well but perfectly, I will get frustrated and angry at myself for being only fairly good. Show Me A Format. Since I know I will not ski perfectly next time, I am likely to avoid trying it again. Thesis. Perfectionism, by science, setting us up for thesis writing, failure, may discourage us from essay academic, ever starting on a project. Writing. If we do start we may leave it unfinished, so we can tell ourselves: Well, if I had finished it, it would have been superb. If we do finish the college project, we will be unable to fully enjoy the imperfect result.

We can see perfectionism as an example of black-and-white, all-or-nothing thinking. Either we must do a job superbly, magnificently, with unprecedented excellence, or it is not worth doing at all. Thinking more rationally, optimists breeze past the perfectionist, content to simply do things well or even adequately and then to do them better the thesis next time. Many of us feel drawn to perfectionist attitudes because we believe this to help us perform at our best. Consider some reasons why perfectionism can have the opposite harvard college supplemental, result, apart from discouraging us in the first place: Facing such a lofty standard you may get so nervous that you cannot perform well. You may be too afraid to experiment with uncertain procedures that might produce superior results. You may be afraid to make mistakes that could reveal useful information. Turning perfectionist standards outward to other people, you will become intolerant of others and may drive them away. Since perfection is almost never attainable#151;or even definable (how would you run a marathon perfectly?)#151;you will always feel frustrated, unhappy, and bitter so long as you put perfectionism in place of realistic goals and thesis writing standards. KEEP EVENTS IN PROPORTION: A woman went to pick up her car from the futility war essay mechanic, expecting it to be fixed by 3pm. She was looking forward to meeting a date at thesis writing 4pm on the other side of town.

Smiling tightly at her, the mechanic explained that he hadn#146;t been able to fix the engine trouble yet, and science essays online would have to keep the car for another couple of writing hours. You#146;re ruining my life! the online woman shouted. This exaggeration in thinking afflicts almost all of us sometimes, and some of us all too frequently. The housecleaners do an imperfect job and we complain Everyone#146;s incompetent! Perhaps you notice a minor mistake on a report for writing, your company after it has been printed for everyone to read. Science Fiction Online. How awful! you tell yourself. Thesis Writing. That#146;s terrible. How could I be so sloppy?

Everyone will think I#146;m an idiot. How To Prepare A Business Plan For Investors. Damn it! We can call this kind of negative exaggeration magnification or catastrophizing . It involves blowing up a minor irritation into thesis writing, a major calamity. The old cliche about making mountains out of molehills arose from someone noticing how some of us like to turn small annoyances and frustrations into world-shaking (or at least life-threatening) catastrophes. We feel so much more important when every little setback can be seen as a dramatic cataclysm in the epic of our life! Unfortunately, the drama is a tragedy, where each day we are fated to suffer incalculable misery. Show Of An. Cognitive therapist David Burns has referred to thesis this distortion in thinking as the binocular trick.

You look at negative events in such a way as to show me a blow them up in size and thesis writing importance. If you tend to compare yourself to others, you might also magnify the other fellow#146;s accomplishment, making yourself feel more threatened by comparison. The binocular trick works from the research white other end too, in writing which case we call it minimization. Here you look through the other end of the binoculars at your accomplishments (or your competitors imperfections) and shrink them down to an insignificant size. When we regularly practice the binocular trick we overwhelm ourselves. Obstacles to achieving our goals appear enormous; they become mountains too high and show format rocky to climb. Our motivation drains away, leaving us apathetic and unproductive. The dynamic optimist, being aware of this seductive tendency to catastrophize, strives to keep events in proportion. Life as a dramatic tragedy is replaced with life as a balanced, steady march forward, drama finding its place in the major accomplishments in one#146;s life. Attaining a developed ability to keep things in proportion can take self-discipline for many of us. Letting one#146;s destructive emotions run wild may feel easy.

In addition, we may believe that we can get what we want more effectively by exaggerating our hurt. Indeed this can be an effective short-term method of manipulating others, but not a healthy or effective long-term approach. It will lead to thesis writing a loss of harvard supplemental respect from others, avoidance of involvement in our little dramas, and distract us from thesis, directly and rationally confronting obstacles. Developing and strengthening this dynamic, practical optimism is one of the show most effective ways of adding to our personal power. A thorough-going dynamic optimist cannot be stopped. Thesis. He cannot be pushed aside, blocked out, or shut down. He will respond to all obstacles, all attacks, all setbacks with calmness, determination, and a creative, problem-solving attitude. Optimism and pessimism affect our entire worldview. Futility War Essay. Our whole approach to thesis living will be either empowered or chained depending on which style of thinking predominates.

The principles of dynamic optimism provide keys for unlocking our full potential. In the next chapter I will reveal another, complementary, approach to bringing emotions and moods into the realm of concept paper research choice.

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Free High School Student Resume Templates for thesis Teens. If you’ve never made a resume before, it can seem more difficult than the job search itself. Prepare Plan For Investors? Fortunately, making a resume is as simple as following a format. Writing? With some key information in the right order, anyone can create one. Your First Job Resume: What It Is and Why You Need It. A resume is a one-page document that summarizes your experience, skills, and futility, other information . The purpose is to thesis writing, show you’re a perfect candidate for prepare for investors the position you are applying for. It should be formal, professional, and thesis writing, relevant. Resumes give potential employers a way to learn about show me a of an essay, applicants quickly and easily, and they are your first step toward new job opportunities.

An interview might also be needed to land the writing, job, but a resume is necessary to start the research white, process. Resumes let employers quickly screen out thesis job seekers who don’t have the right experience and how to prepare a business plan, qualifications. Thesis Writing? A well-crafted resume that highlights your experience will set you apart from the show format of an, competition. Even if you have little or no work experience yet, these guidelines will get you on track to having a great entry-level resume and all the opportunities that come with it. There are three basic resume formats to choose from: chronological, functional, and thesis, combination. It helps to familiarize yourself with these options before deciding on the right resume template for you. This is show me a format of an, one of the most common resume formats. It lists your work history in reverse chronological order, starting with the thesis, most recent position. Essays Online? It is often headed with a “Career Objective” section. We will talk about these sections in more detail later in this post. On a chronological resume you’ll also want to list your education in reverse chronological order, starting with the most recent school you attended or relevant course you’ve taken.

This is thesis writing, a common resume format. It’s easy for employers to scan a chronological resume quickly and get an how to prepare plan for investors idea of your experience. This kind of thesis writing, resume highlights your work history, so it’s great if you’ve had impressive employment opportunities. If you don’t have much work history, or your work history isn’t relevant to the job you want, this type of resume may not be best for you. Prospective employers will throw your resume in format essay the “No” pile if all they see is thesis, work that’s not related to the job they are looking to fill, or if your resume looks empty because you didn’t have much experience to list. A functional resume format highlights other sections, like skills and science essays online, activities, over work experience. This type of resume focuses on what you know or what you can do, rather than what you’ve done at specific jobs. It will probably still have some sort of work history section, but it will be placed at the bottom rather than at the top of the page.

Your work history might not be listed in chronological order on writing this type of resume. In fact, it might not have dates at all, but be listed in essay academic order of relevance instead. This type of resume can be great if you have little or no conventional work experience. It can hide long gaps in thesis writing between jobs, and can draw attention to your other skills or activities. Most employers will be accustomed to me a format of an, the chronological resume format. They will likely know that the writing, reason you chose this format is because you have less work experience or less consistent job history than other job seekers. Futility? But that doesn’t necessarily mean you’re a less desirable candidate. Like a functional resume, a combination resume puts your skills and thesis, activities first and foremost. However, this type of resume also lists your work experience in show of an reverse chronological order. It just doesn’t put it near the top like a chronological resume does. This hybrid style gives a balance between promoting your skills and writing, your work history.

For teens with work experience that’s impressive but short, this kind of resume is ideal. You can show off your work history, but also fill in essay academic more space by talking about thesis writing, your skills and other knowledge you have. It’s also useful if the work history you have doesn’t quite fit with the job you’re looking for. Science Fiction? With a combination resume, you can put the writing, skills that are relevant to concept submit white, your ideal job first, but still give details about your past work experience. Making a combination resume can feel overwhelming, since it uses so much information.

Be careful to use only the thesis writing, most relevant information so it doesn’t become cluttered or too wordy. How to Create a Good High School Student Resume. Your resume always needs to essays, include your name and contact information. List your name, phone number, email address, and writing, city at the top of your resume. You don’t need to essay, include your full street address, but you can if you’d like. Everything else can be adjusted to fit your unique experience. Thesis Writing? For example, your resume could include any of the following:

Work Experience or Work History Education Career Objective or Summary Professional Skills or Other Skills Activities Hobbies and concept research submit, Interests Achievements, Awards, and Honors References. Each of these sections will consist of a heading in bold or slightly larger font, followed by details about that section. For example, under the “Education” heading, you might list the schools you’ve attended and thesis, the subjects you focused on. Remember, you probably won’t use all of these headings. Harvard College Essay? Just pick the ones that are most relevant to you and thesis writing, the job you’re seeking. Every section requires a slightly different approach. Let’s break it down and see how it works.

This can be a difficult section to tackle on a teen resume, since you might not have any work experience yet. Don’t worry though. Submit? Everyone was in thesis writing the same situation when they were looking for their first job! If you have no work experience, you can leave this section out and focus on the other sections. If you do have official work experience, it’s important to academic writing, mention it in this section, especially if it is a job similar to the one you are applying for. Even if you weren’t officially employed, you probably have more work experience to put on your resume than you think. Part-time work like babysitting, lawn mowing, tutoring, and even volunteer experience or community service all count as good examples of work experience on a teen resume.

Under the “Work Experience” heading, list the name of the company you worked for, your job title, and dates of writing, employment. Fiction Online? You should also list your responsibilities, duties, and accomplishments. Thesis? That way, it’s clear what kind of experience you gained. Prepare Plan? Use two or three bullet points to list your responsibilities and duties for thesis each job. See our sample high school student resume templates below for real-world examples of work experience sections. In the “Education” section, state the science online, high school you attended or presently attend and the years you were there or the date you expect to graduate. For example: Crescent High School – Arlington, Virginia. Expected graduation date: May 2017.

If there are classes you’ve taken that are relevant to the job you want, you can list that relevant coursework here. Writing? You can mention your future education plans too. For example: I have been accepted to Chicago State University, and I am planning to science fiction essays, major in business law I will be taking my AP classes next month to writing, prepare for college I will begin attending Chicago State University this fall. The “Career Objective” section shows what kind of job you’re looking for. It consists of one or two sentences near the how to a business for investors, top of thesis, your resume that describe your desired job.

For example: Offer excellent hostess service in a busy local restaurant Apply my computer skills to practical work Provide quality delivery for local food business. You can also extend your objective statement into a summary. Plan For Investors? A summary is a short paragraph that summarizes your experience and key skills. For example: I am an writing energetic, enthusiastic, and academic, active individual with a strong knowledge of grocery items and their use by people from writing, different economic and social backgrounds. I have a business mindset and am willing to apply these skills as a grocery store employee. This section might seem unnecessary, but it can actually be very helpful to potential employers.

It gives you a chance to describe yourself and your goals in your own words. It can also be useful when you don’t have much concrete work experience, but do have skills that potential employers should know about. Make sure the objective or summary is short, clear, and professional. Professional Skills or Other Skills. You likely have skills that could be relevant to a particular position you are applying for.

These can be listed under “Professional Skills.” Make sure the skills are relevant to the job you want. If you are applying for a gardener job, no need to mention “Ability to paper research submit, handle cash register”, since that skill doesn’t apply to thesis writing, that job. But you might mention, “Ability to use lawn mower and gardening tools safely.” If you have no work experience, this section can help demonstrate whether you are a good fit for the position. You can also list skills that come from harvard college, your school or hobbies under “Other Skills.” Make sure they’re still related in some way to thesis, what potential employers are looking for. What are some key skills you might list? Creativity Leadership Adaptability Flexibility Positivity Problem-solving Communication Independence Self-motivation Ability to paper, work under pressure. This section gives an employer insight into your character and interests. It might even tie into the “Skills” section. Think of thesis, extracurricular activities, sports, and show me a format of an essay, clubs you have participated in.

Taking a lead role in writing a school play? You are probably creative. Playing football? You might be a good team player. These are qualities that employers are looking for.

Some examples of school activities that could look good on paper a resume include: Sports : playing sports in thesis writing a association or for fun, outdoor activities, fitness training, taking sport lessons, coaching. Culture : creating art works, shows, plays, films, games, singing or dancing, DIY projects, creative workshops. Writing Topics? Community : raising donations for various organizations or humanitarian causes, organizing events, helping kids, seniors, animals, or the writing, environment, promoting community enhancements. Just like with skills, only list relevant activities here. Write down the activity, dates, and your role/position. For example: West River Hospital, volunteer, summer 2012 Crescent High School Soccer Team, captain, 2005 – 2013 Stage Drama Festival, lead role, summer 2011. If your resume is short on harvard college supplemental work experience, you can list more details about your activities to show what you gained from them. You might use bullet points to write what your responsibilities were or what skills you used in these activities. This section is similar to activities, as it tells an employer more about your character.

Simply make a list of hobbies that might be of interest to potential employers. For example: Reading books Playing tennis Painting and sculpture. It’s great to thesis writing, mention major achievements and how to prepare plan, awards you’ve earned at school or in your activities. Prospective employers like to thesis, see accomplishments that show commitment and paper research, hard work. For example: Student of the Month, March 2013 Perfect Attendance Award, September 2012 Honor Roll, fall 2012. A reference should be someone who can vouch for writing your knowledge and skills, or who can confirm your work experience. Your teachers, coaches, or former employers can be good references. Listing your friends or family as references is not recommended, but can be acceptable if you worked for them. Remember that you must ask a person to serve as a reference before you can list them as one.

Many people simply write “References Available on Request” at the bottom of their resumes. If you do this, make sure you actually have those references available in case a prospective employer requests them. However, if you have limited experience to put on your resume, you might want to list the college supplemental, names and contact information of your references on your resume. Free High School Student Resume Examples. These teen resume samples will make getting started easy. Writing? There are general purpose high school student resume templates, as well as resumes for specific work experience. Prepare A Business Plan? These samples will guide you with a professional resume format and a basic idea of thesis writing, what to write. Essay Academic Writing? We also have High School Graduate Resumes and other professional resume templates. Creative babysitter resume sample with a summary, education, related and writing, personal skills, hobbies, and science fiction essays, references examples. Size: 183 B Downloads: 6269 Filename: babysitter-cv-template-sample.docx Uploaded: 2013-07-04 06:21:00 / 3136. Generic design with sample content (skills, knowledge) for a position in a fast food industry.

Size: 183 B Downloads: 7444 Filename: fast-food-employee-cv.docx Uploaded: 2013-07-04 06:34:00 / 3138. Basic design and common content for thesis writing any type of format of an essay, position. Size: 183 B Downloads: 27357 Filename: geneal-purpose-high-school-resume.docx Uploaded: 2013-07-04 06:36:00 / 3140. Another multi-purpose sample, with blue header theme. Includes customer work and volunteer experience. Size: 183 B Downloads: 18047 Filename: teenager-cv-sample.docx Uploaded: 2013-07-04 06:38:00 / 3142. Sample for position in gardening or landscape.

Creative design theme to attract attention. Size: 183 B Downloads: 3046 Filename: lawn-care-gardening-job-application.docx Uploaded: 2013-07-04 06:39:00 / 3144. Resume sample for students who would like to promote tutoring services to other students or student#039;s parents. Size: 183 B Downloads: 4216 Filename: student-tutor-cv-sample.docx Uploaded: 2013-07-04 06:41:00 / 3146. Generic resume sample for part-time grocery store job. Writing? Can be easily modified for similar positions in different stores.

Size: 183 B Downloads: 6591 Filename: grocery-store-application.docx Uploaded: 2013-07-04 06:42:00 / 3148. Elegant resume for server or host position in a restaurant. Paper Submit? Can also be used for kitchen help, cook help, busser, etc. Size: 183 B Downloads: 4311 Filename: waitress-or-hostess-job.docx Uploaded: 2013-07-04 06:44:00 / 3150. Sample teen resume for writing full-time or part-time volunteer job for a candidate with previous volunteer work. Size: 183 B Downloads: 4677 Filename: volunteer-position-application.docx Uploaded: 2013-07-04 06:45:00 / 3152.

Sample resume for essay academic writing topics part-time position in thesis warehouse. Size: 183 B Downloads: 5314 Filename: warehouse-position.docx Uploaded: 2013-07-04 06:47:00 / 3154. Sample resume for an apprentice welder and assisting in different welding projects. Size: 183 B Downloads: 3777 Filename: welder-helper-job.docx Uploaded: 2013-07-04 06:48:00 / 3156. Professional sample for a food delivery position. Can be easily modified for a different position in of an essay the food industry.

Size: 183 B Downloads: 26443 Filename: food-industry-position.docx Uploaded: 2013-07-04 06:17:00 / 3134. 855.213.0348 | MON-FRI 8A-8P, SAT 8A-5P, SUN 10A-6P CST. 2017 Bold Limited. All rights reserved. Thesis? POWERED BY BOLD.

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